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Juny - Llicorella

Inside Pages
Author/Composer
Juli Garreta Arboix (1875-1925)
Field
Collection
Sardanes i obres per a cobla Nr. 10
Language
Spanish, Catalan, Music, English
Format
Score
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Code | Context
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Over the years when Catalonia's national anthem (Els Segadors) was banned, certain sardanas emerged strongly as identifying the Catalana people, ones such as La santa espina by Enric Morera and Juny by Garreta. It was compoesed in 1919 and was a prize-winning work in Barcelona's Patxot prizes. Musically, it is certainly a fine example of Garreta's language: his forceful sound, sweeping themes, painstaking orchestration, sharp counterpoint and, as Toldrà put it, music written in Catalan. Llicorella (Slate) During the course of the annual Festa Major festivities in l'Arboç del Penedès in 1911, the brothers Enric and Pau Casals, in the company of Joan Lamote de Grignon, were listening to the cobla band Principal de La Bisbal playing sardanes in the town's square. When the performance was over, Pau Casals went over to the musicians and said, 'When you come back around here to play, bring the composer of those sardanas with you, for I would like to meet this Garreta fellow'. The meeting was to occur the following year, marking the beginning of the close friendship and mutual admiration between Juli Garreta and Pau Casals that was to endure ever after. The sardana that had made the greatest impression on Casals at that performance in l'Arboç was the one entitled Llicorella, which was written early in 1911, presented at the cultural event Jocs Florals in La Bisbal d'Empordà, and awarded first prize there. 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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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Over the years when Catalonia's national anthem (Els Segadors) was banned, certain sardanas emerged strongly as identifying the Catalana people, ones such as La santa espina by Enric Morera and Juny by Garreta. It was compoesed in 1919 and was a prize-winning work in Barcelona's Patxot prizes. Musically, it is certainly a fine example of Garreta's language: his forceful sound, sweeping themes, painstaking orchestration, sharp counterpoint and, as Toldrà put it, music written in Catalan. Llicorella (Slate) During the course of the annual Festa Major festivities in l'Arboç del Penedès in 1911, the brothers Enric and Pau Casals, in the company of Joan Lamote de Grignon, were listening to the cobla band Principal de La Bisbal playing sardanes in the town's square. When the performance was over, Pau Casals went over to the musicians and said, 'When you come back around here to play, bring the composer of those sardanas with you, for I would like to meet this Garreta fellow'. The meeting was to occur the following year, marking the beginning of the close friendship and mutual admiration between Juli Garreta and Pau Casals that was to endure ever after. The sardana that had made the greatest impression on Casals at that performance in l'Arboç was the one entitled Llicorella, which was written early in 1911, presented at the cultural event Jocs Florals in La Bisbal d'Empordà, and awarded first prize there. David Puertas Esteve Two sardanas for cobla: - Juny - Licorella" $keywords = "Juny - Llicorella, M-69210-115-4, Juny - Llicorella, Sardanes i obres per a cobla, Cobla, Sardanes i obres per a cobla, Soprano Shawm I (Tible I), Double Bass, Baritone Horn II, Baritone Horn I, Trombone, Trumpet II, Trumpet I, Tenor Shawm II (Tenora II), Tenor Shawm I (Tenora I), Soprano Shawm II (Tible II), Rustic Pipe & Small Drum (Flabiol i tamborí), Juli Garreta Arboix (1875-1925)" $img_src = "test.dinsic.com/img/cache/17acce61c05a4116dc1af910683b1624-3464-151.jpg" $relacionats = array() $publicacion = array( "Publicacion" => array( "id" => "4688", "oferta" => "0", "exhaurit" => "0", "material_descarga" => "0", "titol_descarga" => "", "num_pags" => "32", "ismn" => "M-69210-115-4", "isbn" => "", "diposit_legal" => "xx", "preu" => "18.75", "durada" => "", "format" => "Partitura", "n_pag_annex" => null, "num_pagines_interiors" => "0", "numero_particelas" => "11", "numero_pagines_particelas" => "22", "visible_instrumentacio" => "1", "visible_formacions" => "1", "novetat" => "0", "recomanat" => "0", "en_preparacio" => "0", "visto" => "5734", "rating" => "0.0", "locale" => "en_gb", "titol" => "Juny - Llicorella", "url" => "score-sa19_20-juny_llicorella", "published" => "1", "continguts_generals" => "Juny (June)<br/> This is Garreta's best-known and most emblematic sardana. Over the years when Catalonia's national anthem (Els Segadors) was banned, certain sardanas emerged strongly as identifying the Catalana people, ones such as La santa espina by Enric Morera and Juny by Garreta. It was compoesed in 1919 and was a prize-winning work in Barcelona's Patxot prizes. Musically, it is certainly a fine example of Garreta's language: his forceful sound, sweeping themes, painstaking orchestration, sharp counterpoint and, as Toldrà put it, music written in Catalan. <br/> Llicorella (Slate)<br/> During the course of the annual Festa Major festivities in l'Arboç del Penedès in 1911, the brothers Enric and Pau Casals, in the company of Joan Lamote de Grignon, were listening to the cobla band Principal de La Bisbal playing sardanes in the town's square. When the performance was over, Pau Casals went over to the musicians and said, 'When you come back around here to play, bring the composer of those sardanas with you, for I would like to meet this Garreta fellow'. 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Juli Garreta trabajó de relojero, como su padre, y aprendió música de forma autodidacta (salvo las lecciones de su progenitor y las de un modesto pianista local). A los veintidós años escribió su primera sardana, La pubilla. Se estudiaba todas las partituras que le pasaban por las manos y, mientras tanto, tocaba en la cobla La Vella, amenizaba al piano las proyecciones de cine y participaba en las tertulias musicales de Can Rovira. De este modo, con una formación musical absolutamente libre, sin vínculos con una escuela u otra, fue educando su extraordinaria intuición. La admiración por las obras de Richard Strauss y por el post-romanticismo germánico en general, es patente en su lenguaje. Hasta que Pau Casals no lo instó a escribir para orquesta, la producción de Garreta se centró principalmente en las sardanas, de las que llegó a escribir más de setenta: Juny, A en Pau Casals, La pedregada, Dalt les Gavarres, Llicorella, Isabel, Nydia, Mar d'argent... Sin olvidar las obras de cámara y sinfónicas de su catálogo como la Sonata per a piano, la Sonata per a violoncel i piano (estrenada por Casals) o las distinta obras suyas que estrenó la Orquesta Pau Casals: Suite en Sol (1921), Pastoral (1922), Les illes Medes (1923), Concert per a violí i orquestra (1925), y distintas sardanas orquestadas por el propio Garreta (en algunos casos, con la inclusión de flabiol [flautín], tible, tenora y fiscorn) entre éstas la titulada Sardana, que no es más que la versión sinfónica del tercer tiempo de la Sonata per a piano. De las primeras obras para orquesta destacan Impressions simfòniques (1907), un Scherzo (1915) i el Preludi mediterrani (1918). De los numerosos comentarios y elogios que ha recibido la obra de Garreta, destacamos el comentario de Eduard Toldrà, que incluye una clara referencia a las raíces de la música del guixolés. 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Contents
Juny (June)This is Garreta's best-known and most emblematic sardana. Over the years when Catalonia's national anthem (Els Segadors) was banned, certain sardanas emerged strongly as identifying the Catalana people, ones such as La santa espina by Enric Morera and Juny by Garreta. It was compoesed in 1919 and was a prize-winning work in Barcelona's Patxot prizes. Musically, it is certainly a fine example of Garreta's language: his forceful sound, sweeping themes, painstaking orchestration, sharp counterpoint and, as Toldrà put it, music written in Catalan.
Llicorella (Slate)
During the course of the annual Festa Major festivities in l'Arboç del Penedès in 1911, the brothers Enric and Pau Casals, in the company of Joan Lamote de Grignon, were listening to the cobla band Principal de La Bisbal playing sardanes in the town's square. When the performance was over, Pau Casals went over to the musicians and said, 'When you come back around here to play, bring the composer of those sardanas with you, for I would like to meet this Garreta fellow'. The meeting was to occur the following year, marking the beginning of the close friendship and mutual admiration between Juli Garreta and Pau Casals that was to endure ever after. The sardana that had made the greatest impression on Casals at that performance in l'Arboç was the one entitled Llicorella, which was written early in 1911, presented at the cultural event Jocs Florals in La Bisbal d'Empordà, and awarded first prize there. David Puertas Esteve
Instrumental and vocal formations
CoblaInstruments
Soprano Shawm I (Tible I), Double Bass, Baritone Horn II, Baritone Horn I, Trombone, Trumpet II, Trumpet I, Tenor Shawm II (Tenora II), Tenor Shawm I (Tenora I), Soprano Shawm II (Tible II), Rustic Pipe & Small Drum (Flabiol i tamborí)Structure
Two sardanas for cobla:- Juny
- Licorella
Technical Specifications
Measurements
21,6 x 16 cm, horizontal
Binding
Full score stapled. Score and parts inserted in the cover.
Number of Pages
32
Number of parts
11
Number of Pages of Parts
22
ISMN
M-69210-115-4
Editor
DINSIC Publicacions Musicals