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Missa Brevis Puer Natus

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Author/Composer
Field
Collection
Música coral catalana (paper copy) Nr. 25
Language
Spanish, Catalan, English, French, German
Format
Score
Notice (8): Undefined variable: audio_files [APP/views/publicacions/display.ctp, line 447]
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Posteriorment, també fou interpretada a Collbató, a Santa Àgata, a la Capella Sant Jordi del Palau de la Generalitat, a Basel i a Bellinzona (Suïssa), i, més tard, enregistrada en un CD anomenat ' Puer Natus'. També ha estat interpretada a l'Auditori Axa, al cicle de concerts del Cor Vivaldi 'Mas i Mas Cor Vivaldi' el març de 2008. L'obra, sense Credo, tal com correspon a una missa breu, està estructurada en quatre parts i és precedida d'un introit nadalenc ( Puer Natus in Betlehem) d'inspiració gregoriana, que dona pas al Kyrie després d'una atrevida introducció organística. El Gloria, que comença amb una mena de fanfàrria coral, està construït a partir de petits fragments que formen un tot orgànic amb moments de tensió harmònica i de gran exigència vocal. El Sanctus-Benedictus és, probablement, el fragment més contrapuntístic de tota la missa i inclou un solo de soprano 'en eco' en la seva part més impactant, l' Hosanna. 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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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Posteriorment, també fou interpretada a Collbató, a Santa Àgata, a la Capella Sant Jordi del Palau de la Generalitat, a Basel i a Bellinzona (Suïssa), i, més tard, enregistrada en un CD anomenat ' Puer Natus'. També ha estat interpretada a l'Auditori Axa, al cicle de concerts del Cor Vivaldi 'Mas i Mas Cor Vivaldi' el març de 2008. L'obra, sense Credo, tal com correspon a una missa breu, està estructurada en quatre parts i és precedida d'un introit nadalenc ( Puer Natus in Betlehem) d'inspiració gregoriana, que dona pas al Kyrie després d'una atrevida introducció organística. El Gloria, que comença amb una mena de fanfàrria coral, està construït a partir de petits fragments que formen un tot orgànic amb moments de tensió harmònica i de gran exigència vocal. El Sanctus-Benedictus és, probablement, el fragment més contrapuntístic de tota la missa i inclou un solo de soprano 'en eco' en la seva part més impactant, l' Hosanna. L' Agnus Dei 'probablement el fragment més expressiu i de naturalesa més reflexiva de l'obra, tal com correspon a la fi de una missa' acaba amb una coda organística construïda a partir d'onze acords no relacionats entre si, que ens condueix a un final espectacular i grandiós, a la vegada que enigmàtic. Introit Puer Natus in Betlehem. 1. Kyrie 2. Gloria 3. Sanctus-Benedictus 4. 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Posteriorment, també fou interpretada a Collbató, a Santa Àgata, a la Capella Sant Jordi del Palau de la Generalitat, a Basel i a Bellinzona (Suïssa), i, més tard, enregistrada en un CD anomenat '<br/> Puer Natus'. També ha estat interpretada a l'Auditori Axa, al cicle de concerts del Cor Vivaldi 'Mas i Mas Cor Vivaldi' el març de 2008.<br/> L'obra, sense <br/> Credo, tal com correspon a una missa breu, està estructurada en quatre parts i és precedida d'un introit nadalenc (<br/> Puer Natus in Betlehem) d'inspiració gregoriana, que dona pas al <br/> Kyrie després d'una atrevida introducció organística. El <br/> Gloria, que comença amb una mena de fanfàrria coral, està construït a partir de petits fragments que formen un tot orgànic amb moments de tensió harmònica i de gran exigència vocal. El <br/> Sanctus-Benedictus és, probablement, el fragment més contrapuntístic de tota la missa i inclou un solo de soprano 'en eco' en la seva part més impactant, l'<br/> Hosanna. 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Contents
Escrita expressament per al Cor Vivaldi i el seu director Oscar Boada l'any 1990,Missa Brevis 'Puer Natus', per a veus blanques i orgue, fou estrenada a La Bisbal del Penedès l'any 1997. Posteriorment, també fou interpretada a Collbató, a Santa Àgata, a la Capella Sant Jordi del Palau de la Generalitat, a Basel i a Bellinzona (Suïssa), i, més tard, enregistrada en un CD anomenat '
Puer Natus'. També ha estat interpretada a l'Auditori Axa, al cicle de concerts del Cor Vivaldi 'Mas i Mas Cor Vivaldi' el març de 2008.
L'obra, sense
Credo, tal com correspon a una missa breu, està estructurada en quatre parts i és precedida d'un introit nadalenc (
Puer Natus in Betlehem) d'inspiració gregoriana, que dona pas al
Kyrie després d'una atrevida introducció organística. El
Gloria, que comença amb una mena de fanfàrria coral, està construït a partir de petits fragments que formen un tot orgànic amb moments de tensió harmònica i de gran exigència vocal. El
Sanctus-Benedictus és, probablement, el fragment més contrapuntístic de tota la missa i inclou un solo de soprano 'en eco' en la seva part més impactant, l'
Hosanna. L'
Agnus Dei 'probablement el fragment més expressiu i de naturalesa més reflexiva de l'obra, tal com correspon a la fi de una missa' acaba amb una
coda organística construïda a partir d'onze acords no relacionats entre si, que ens condueix a un final espectacular i grandiós, a la vegada que enigmàtic.
Instrumental and vocal formations
High-voice ChoirStructure
IntroitPuer Natus in Betlehem.
1.
Kyrie
2.
Gloria
3.
Sanctus-Benedictus
4.
Agnus Dei
Technical Specifications
Duration
11'
Measurements
21 x 29,7 cm, vertical
Binding
Staple
Number of Pages
32
ISMN
979-0-69210-558-9
Editor
DINSIC Publicacions Musicals