La diminuta flauta màgica. Final
Num Pàgines Interiors
Author/Composer
Musical Arrangement
Àmbit
Col·lecció
Da Camera (separate PDF pieces) Núm. 2304
Idioma
Spanish, Catalan, Music, English, French, German
Format
Update Required
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Formacions instrumentals i vocals
Chamber EnsembleCaracterístiques tècniques
Mides
21 x 29,7 cm, vertical
Nombre de pàgines
18
ISMN
979-0-69232-193-4
Editor
DINSIC Publicacions Musicals
Publicacions relacionades
Partitura
Da Camera 23: The Little Magic Flute
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[continguts_generals] => A collection of arranged tunes from Mozart's opera.
You are holding a collection of the best-known scenes from the first act of The Magic Flute. They are adapted for performance as an easy instrumental suite for pupils who have covered the elementary stage. Accordingly, most of the tunes have been transposed ' the original is full of flats! ' shortened and linked together without following the order in which they appear in the opera. The instrumental group comprises two fixed instruments: piano-four-hands and a flute (since a Magic Flute without a flute is unthinkable!) and two other free-choice instruments, one high-pitched one (oboe, violin, clarinet) and one low one (cello or basson). The markings 'pizzicato' and 'arc' only applies to string instruments. If you play it with wind instruments you can either play the 'pizzicato' notes softly and short or just 'tacet'.
The novel feature of this ensemble is perhaps the piano-four-hands, which was brought in for two reasons: with two pianists, the piano finds it easier to take on an orchestral dimension, and in addition more pianists can join in with chamber-music groups. This latter point is particularly practical in view of the way piano students tend to outnumber students of other instruments in many music schools. The four-hands arrangement is based directly on the orchestral part, and you will see that the piano part is an adaptation of the orchestral score rather than a reduction of it.
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La clasificación del nivel de una partitura normalmente viene determinado por el grado de dificultad técnica del instrumento o voz. En los casos de obras para formaciones instrumentales diversas, orquestales, vocales, etc. el nivel se determina atendiendo a la complejidad general de la obra, no a la de sus instrumentos en particular. Es muy importante conocer este criterio porque las obras de conjunto aparecen también en los listados específicos de cada uno de sus instrumentos o voces que participan en él, pero el nivel que se indica es el de la formación instrumental-vocal.
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19.50 €
