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Cançoner 7
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That is why I tried to make the language easy but not 'babyish', and to write pieces that could be used to develop in the performers an interest not just in the notes as written but also in musical colour and interpretation. Some of these songs have in fact already been performed in concert by soloists, somewhat in the manner of the children's songs by Montsalvatge or Schumann, among others. The first five songs are intended for choirs of small children, while La Sirena and De la Lluerna al Fénix were written for children aged 12 or above. In the songs De la Lluerna al Fénix and El conill you will find an ad libitum bassoon or cello line which, if a player is available, is meant to replace the same line in the piano part (unless you really like unison lines). If no bassoon is available, you could try some other low instrument, preferably a wind one. 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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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That is why I tried to make the language easy but not 'babyish', and to write pieces that could be used to develop in the performers an interest not just in the notes as written but also in musical colour and interpretation. Some of these songs have in fact already been performed in concert by soloists, somewhat in the manner of the children's songs by Montsalvatge or Schumann, among others. The first five songs are intended for choirs of small children, while La Sirena and De la Lluerna al Fénix were written for children aged 12 or above. In the songs De la Lluerna al Fénix and El conill you will find an ad libitum bassoon or cello line which, if a player is available, is meant to replace the same line in the piano part (unless you really like unison lines). If no bassoon is available, you could try some other low instrument, preferably a wind one. El conill (The Rabbit)/ Voice, bassoon and piano / 1' Tres cançons per a nens: El llangardaix, l'aranya i els cargols (Three songs for children: The Lizard, The Spider and the Snails) / Voice and piano / 2' 55' Cirerer de claustre / Una veu i piano / 1' 40' Si us voleu despertar (La ball, balletes) / Voice, two flutes and piano / 1' 30" De la lluerna al fènix: la lluerna, l'estruça i el fenix (From the Gurnard to the Phoenix: the Gurnard, the Ostriche and the Phoenix) / Voice, bassoon and piano / 4' 30' La sirena (The Mermaid) / Voice and piano/ 3' 05'" $keywords = "Cançoner 7, 979-0-69232-015-9, Cançoner 7, Cançoner (digital PDF copy), Children's Choir, Cançoner (digital PDF copy), Voice, Piano, Bassoon, Jordi-Lluís Rigol Monné" $img_src = "test.dinsic.com/img/cache/a7860184610b887ecb238c6c849d8708-7963-151.jpg" $relacionats = array( array( array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array() ) ) $publicacion = array( "Publicacion" => array( "id" => "12485", "oferta" => "0", "exhaurit" => "0", "material_descarga" => "0", "titol_descarga" => "", "num_pags" => "28", "ismn" => "979-0-69232-015-9", "isbn" => "", "diposit_legal" => "xx", "preu" => "10.44", "durada" => "", "format" => "PDF", "n_pag_annex" => null, "num_pagines_interiors" => "0", "numero_particelas" => null, "numero_pagines_particelas" => null, "visible_instrumentacio" => "1", "visible_formacions" => "1", "novetat" => "0", "recomanat" => "0", "en_preparacio" => "0", "visto" => "1966", "rating" => "0.0", "locale" => "en_gb", "titol" => "Cançoner 7", "url" => "pdf-cnc700p-canconer_7", "published" => "1", "continguts_generals" => "<div> My sole intention in composing songs for children was to write good music, not treating them like simpletons. That is why I tried to make the language easy but not 'babyish', and to write pieces that could be used to develop in the performers an interest not just in the notes as written but also in musical colour and interpretation. Some of these songs have in fact already been performed in concert by soloists, somewhat in the manner of the children's songs by Montsalvatge or Schumann, among others.<br /> The first five songs are intended for choirs of small children, while La Sirena and De la Lluerna al Fénix were written for children aged 12 or above.<br /> In the songs De la Lluerna al Fénix and El conill you will find an ad libitum bassoon or cello line which, if a player is available, is meant to replace the same line in the piano part (unless you really like unison lines). If no bassoon is available, you could try some other low instrument, preferably a wind one.</div> ", "estructuracio" => "<div> El conill (The Rabbit)/ Voice, bassoon and piano / 1'<br /> Tres cançons per a nens: El llangardaix, l'aranya i els cargols (Three songs for children: The Lizard, The Spider and the Snails) / Voice and piano / 2' 55'<br /> Cirerer de claustre / Una veu i piano / 1' 40'<br /> Si us voleu despertar (La ball, balletes) / Voice, two flutes and piano / 1' 30"<br /> De la lluerna al fènix: la lluerna, l'estruça i el fenix (From the Gurnard to the Phoenix: the Gurnard, the Ostriche and the Phoenix) / Voice, bassoon and piano / 4' 30'<br /> La sirena (The Mermaid) / Voice and piano/ 3' 05'</div> ", "ctecnica" => "", "ilustracion" => "", "info_descarga" => "" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array(), array(), array(), array(), array() ), "Category" => array( array() ), "Colleccion" => array( array() ), "Editor" => array( array() ), "Enquadernacion" => array(), "Formacion" => array( array() ), "Idioma" => array( array(), array() ), "Instrument" => array( array(), array(), array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ) $url = "https://test.dinsic.com/en/publications-subject-areas/scores-elementary/card/pdf-cnc700p-canconer_7" $action = "https://www.facebook.com/sharer/sharer.php?u=https://test.dinsic.com/en/publications-subject-areas/scores-elementary/card/pdf-cnc700p-canconer_7&t=PDF+Can%C3%A7oner+7&src=sp" $metatag_image_description = "Cançoner 7-Cançoner (digital PDF copy)-Scores Elementary" $categories_metatag = array( "Scores Elementary" ) $elem = array( "id" => "142", "nom" => "Music", "published" => "1", "url" => "international", "locale" => "en_gb" ) $colleccion_names = array( "Cançoner (digital PDF copy)" ) $selected_image = "7963" $pub = array( "id" => "6958", "model" => "Publicacion", "foreign_id" => "12485", "order" => "2", "file_id" => "8338", "archivestypes_id" => "3" ) $urlimage = "http://www.dinsic.com/img/cache/a7860184610b887ecb238c6c849d8708-7963-151.jpg" $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/a7860184610b887ecb238c6c849d8708-7963-151.jpg" $imgsize = array( 151, 213, 2, "width="151" height="213"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $imgprinted = false $selected_mp3s = array() $selected_pdf = "8338" $valid_example = true $i = 2 $k = 0 $elem2 = array( "id" => "1600", "nom" => "Jordi-Lluís", "cognom" => "Rigol", "2cognom" => "Monné", "curriculum" => "<div> A composer, pianist and conductor, he was born in Barcelona and undertook his musical studies at the Acadèmia Ars Nova there. He studied singing with Ferran Gimeno and choral conducting with Pierre Cao, Manel Cabero and Gaby Baltes in Barcelona and in Mallorca, and with Simon Johnson in England, where he also worked on orchestral conducting at the Canford Summer School of Music with George Hurst and Michael Rose. He lived in Amsterdam from 1990 to 1993, where he studied orchestral conducting at the Sweelinck Conservatorium with Joop Von Zonn, being awarded his conducting certificate there. His stay at that music school enabled him to pursue further studies in choral conducting, musical analysis and the piano. <br /> Being interested in musical education, he is a teacher at the IPSI (Institució Pedagògica Sant Isidor) in Barcelona and at that centre's Music School, where his activity as a composer has led to the composition of various works suitable for the various levels of the students, such as his children's cantatas El país de la no-memòria (The land of no-memory), On és la música' (Where is music') and El planeta del mar inventat (The planet of the invented sea) for large children's choir and instrumental ensemble, all given their first performances in Barcelona, and also shorter but more complex choral works such as his Missa Brevis, from which the 'Alleluia', the 'Pater Noster' and the 'Magnificat' were given their first performances and subsequent performances by the Cor Vivaldi-Petits Cantors de Catalunya, in Catalonia and in Switzerland as well.<br /> In June 1992 he conducted the first performance of the chamber opera From the Diary of the Hunchback Girl by the composer Shai Lifshitz in the Bachzaal of Amsterdam. He has conducted the Orquestra Simfònica de la Institució Cultural de les Corts and the choir of the Campus Nord of the Polytechnic University of Catalonia, as well as the Chamber Orchestra of the Reial Cercle Artístic. <br /> He has performed as a pianist in various venues in Catalonia and Germany. His creative work involving the piano was recorded on the compact discs Entre miralls (Between mirrors - 1998) and A mínim (At least - 2000). He has also given occasional performances on the organ.<br /> The co-authored the musical No deixeu el meu somni (Don't leave my dream), which was first performed in Barcelona in 1998. He also composed music for the work On eres, Víctor' (Where were you, Victor'), first performed in Barcelona in October 2000, and he has written various choral works for mixed choir.<br /> He is currently the conductor of the Cor-Xera of the Escola IPSI, the Coral Baluern and the Chamber Choir Tempus Musici, he being the founder and director of the latter.</div> ", "data_desconeguda" => "1", "data_naixement" => "0000-00-00", "nomes_any_naixement" => "0", "nomes_any_defuncio" => "0", "defuncio" => "0", "data_defuncio" => "0000-00-00", "data_defuncio_desconeguda" => "0", "url" => "jordi_lluis_rigol_monne", "published" => "1", "PublicacionsAutor" => array( "id" => "4241", "autor_id" => "1600", "publicacion_id" => "12485", "funcion_id" => "1473" ) ) $path = "scores-elementary" $valid = true $file = array( "id" => "6932", "model" => "Publicacion", "foreign_id" => "12485", "order" => "1", "file_id" => "8312", "archivestypes_id" => "7" )
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Contents
My sole intention in composing songs for children was to write good music, not treating them like simpletons. That is why I tried to make the language easy but not 'babyish', and to write pieces that could be used to develop in the performers an interest not just in the notes as written but also in musical colour and interpretation. Some of these songs have in fact already been performed in concert by soloists, somewhat in the manner of the children's songs by Montsalvatge or Schumann, among others.
The first five songs are intended for choirs of small children, while La Sirena and De la Lluerna al Fénix were written for children aged 12 or above.
In the songs De la Lluerna al Fénix and El conill you will find an ad libitum bassoon or cello line which, if a player is available, is meant to replace the same line in the piano part (unless you really like unison lines). If no bassoon is available, you could try some other low instrument, preferably a wind one.
The first five songs are intended for choirs of small children, while La Sirena and De la Lluerna al Fénix were written for children aged 12 or above.
In the songs De la Lluerna al Fénix and El conill you will find an ad libitum bassoon or cello line which, if a player is available, is meant to replace the same line in the piano part (unless you really like unison lines). If no bassoon is available, you could try some other low instrument, preferably a wind one.
Instrumental and vocal formations
Children's ChoirStructure
El conill (The Rabbit)/ Voice, bassoon and piano / 1'
Tres cançons per a nens: El llangardaix, l'aranya i els cargols (Three songs for children: The Lizard, The Spider and the Snails) / Voice and piano / 2' 55'
Cirerer de claustre / Una veu i piano / 1' 40'
Si us voleu despertar (La ball, balletes) / Voice, two flutes and piano / 1' 30"
De la lluerna al fènix: la lluerna, l'estruça i el fenix (From the Gurnard to the Phoenix: the Gurnard, the Ostriche and the Phoenix) / Voice, bassoon and piano / 4' 30'
La sirena (The Mermaid) / Voice and piano/ 3' 05'
Tres cançons per a nens: El llangardaix, l'aranya i els cargols (Three songs for children: The Lizard, The Spider and the Snails) / Voice and piano / 2' 55'
Cirerer de claustre / Una veu i piano / 1' 40'
Si us voleu despertar (La ball, balletes) / Voice, two flutes and piano / 1' 30"
De la lluerna al fènix: la lluerna, l'estruça i el fenix (From the Gurnard to the Phoenix: the Gurnard, the Ostriche and the Phoenix) / Voice, bassoon and piano / 4' 30'
La sirena (The Mermaid) / Voice and piano/ 3' 05'
Technical Specifications
Measurements
21 x 29,7 cm, vertical
Number of Pages
28
ISMN
979-0-69232-015-9
Editor
DINSIC Publicacions Musicals
Also collaborating:
Poem
Joan Mª Guasch, Josep Carner, M. Vayreda, M. Àngels Anglada
Related Publications
Publication with downloadable files
