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"description" => "The songs you will find in this songbook can be performed in music classes in schools or in concerts ' they were in fact intended to be sung in concerts, and I have indeed put on such concerts performances with some of the choirs at the I.P.S.I. school (Barcelona). You will find five songs for a single voice and piano, three songs for two voices, one song with flute accompaniment, and a canon. The songs with two voices can also be sung without the second voice, the result being a song in unison. These melodies were intended to be performed by high-voice choirs. Choir conductors can follow their own criteria in selecting the ones that are best suited to each age-group. For the songs to sound good, it is very important to follow all the dynamics and tempo markings. It is also important to have a good pianist in the pieces with piano, to underpin the work as a whole. I would like to thank Joana Raspall, Txus Fernàndez and Albert Vernet who let me use their poems and entrusted their worlds to me; without them I would not have been able to produce any of the contents of this songbook. Lastly, I would also like to thank the publishers DINSIC Publicacions Musicals SL for the chance they have afforded me to set it all down in this collection. Jordi-Lluis Rigol La cursa dels peixos (The race of the fish) / One voice and piano / 1'50' El camí (The path) / One voice and piano / 1'17' La festa del vent (The wind's party) / One voice and piano / 1'45' Nadal (Christmas) / Two voices and piano/ 1'55' El poble perfumat (The scented town) / Two voices and piano/ 2' La rebel·lió de la pilota (The rebellion of the ball) / One voice and piano / 1'10' Al lector de poemes (To the poetry reader) / Two voices and piano/ 1'05' Bestioles (Little creatures) / One voice and piano / 1'50' Nit de Reis (The Epiphany) / One voice and flute / 2'40' El cant del grill (The cricket's song) / Canon / 1'",
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Located in the very heart of the old town of Barcelona, DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofré Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br />
<br />
Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br />
<br />
Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div>
<div>
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<ul>
<li>
<a href="/en/p/introduction">Introduction</a></li>
<li>
<a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li>
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Link your credit or debit card to PayPal and decide with them your preferred payment method.</div>
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$description = "The songs you will find in this songbook can be performed in music classes in schools or in concerts ' they were in fact intended to be sung in concerts, and I have indeed put on such concerts performances with some of the choirs at the I.P.S.I. school (Barcelona). You will find five songs for a single voice and piano, three songs for two voices, one song with flute accompaniment, and a canon. The songs with two voices can also be sung without the second voice, the result being a song in unison. These melodies were intended to be performed by high-voice choirs. Choir conductors can follow their own criteria in selecting the ones that are best suited to each age-group. For the songs to sound good, it is very important to follow all the dynamics and tempo markings. It is also important to have a good pianist in the pieces with piano, to underpin the work as a whole. I would like to thank Joana Raspall, Txus Fernàndez and Albert Vernet who let me use their poems and entrusted their worlds to me; without them I would not have been able to produce any of the contents of this songbook. Lastly, I would also like to thank the publishers DINSIC Publicacions Musicals SL for the chance they have afforded me to set it all down in this collection. Jordi-Lluis Rigol La cursa dels peixos (The race of the fish) / One voice and piano / 1'50' El camí (The path) / One voice and piano / 1'17' La festa del vent (The wind's party) / One voice and piano / 1'45' Nadal (Christmas) / Two voices and piano/ 1'55' El poble perfumat (The scented town) / Two voices and piano/ 2' La rebel·lió de la pilota (The rebellion of the ball) / One voice and piano / 1'10' Al lector de poemes (To the poetry reader) / Two voices and piano/ 1'05' Bestioles (Little creatures) / One voice and piano / 1'50' Nit de Reis (The Epiphany) / One voice and flute / 2'40' El cant del grill (The cricket's song) / Canon / 1'"
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The songs you will find in this songbook can be performed in music classes in schools or in concerts ' they were in fact intended to be sung in concerts, and I have indeed put on such concerts performances with some of the choirs at the I.P.S.I. school (Barcelona).<br />
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Lastly, I would also like to thank the publishers DINSIC Publicacions Musicals SL for the chance they have afforded me to set it all down in this collection.<br />
Jordi-Lluis Rigol</div>
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La cursa dels peixos (The race of the fish) / One voice and piano / 1'50'<br />
El camí (The path) / One voice and piano / 1'17'<br />
La festa del vent (The wind's party) / One voice and piano / 1'45'<br />
Nadal (Christmas) / Two voices and piano/ 1'55'<br />
El poble perfumat (The scented town) / Two voices and piano/ 2'<br />
La rebel·lió de la pilota (The rebellion of the ball) / One voice and piano / 1'10'<br />
Al lector de poemes (To the poetry reader) / Two voices and piano/ 1'05'<br />
Bestioles (Little creatures) / One voice and piano / 1'50'<br />
Nit de Reis (The Epiphany) / One voice and flute / 2'40'<br />
El cant del grill (The cricket's song) / Canon / 1'</div>
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A composer, pianist and conductor, he was born in Barcelona and undertook his musical studies at the Acadèmia Ars Nova there. He studied singing with Ferran Gimeno and choral conducting with Pierre Cao, Manel Cabero and Gaby Baltes in Barcelona and in Mallorca, and with Simon Johnson in England, where he also worked on orchestral conducting at the Canford Summer School of Music with George Hurst and Michael Rose. He lived in Amsterdam from 1990 to 1993, where he studied orchestral conducting at the Sweelinck Conservatorium with Joop Von Zonn, being awarded his conducting certificate there. His stay at that music school enabled him to pursue further studies in choral conducting, musical analysis and the piano. <br />
Being interested in musical education, he is a teacher at the IPSI (Institució Pedagògica Sant Isidor) in Barcelona and at that centre's Music School, where his activity as a composer has led to the composition of various works suitable for the various levels of the students, such as his children's cantatas El país de la no-memòria (The land of no-memory), On és la música' (Where is music') and El planeta del mar inventat (The planet of the invented sea) for large children's choir and instrumental ensemble, all given their first performances in Barcelona, and also shorter but more complex choral works such as his Missa Brevis, from which the 'Alleluia', the 'Pater Noster' and the 'Magnificat' were given their first performances and subsequent performances by the Cor Vivaldi-Petits Cantors de Catalunya, in Catalonia and in Switzerland as well.<br />
In June 1992 he conducted the first performance of the chamber opera From the Diary of the Hunchback Girl by the composer Shai Lifshitz in the Bachzaal of Amsterdam. He has conducted the Orquestra Simfònica de la Institució Cultural de les Corts and the choir of the Campus Nord of the Polytechnic University of Catalonia, as well as the Chamber Orchestra of the Reial Cercle Artístic. <br />
He has performed as a pianist in various venues in Catalonia and Germany. His creative work involving the piano was recorded on the compact discs Entre miralls (Between mirrors - 1998) and A mínim (At least - 2000). He has also given occasional performances on the organ.<br />
The co-authored the musical No deixeu el meu somni (Don't leave my dream), which was first performed in Barcelona in 1998. He also composed music for the work On eres, Víctor' (Where were you, Victor'), first performed in Barcelona in October 2000, and he has written various choral works for mixed choir.<br />
He is currently the conductor of the Cor-Xera of the Escola IPSI, the Coral Baluern and the Chamber Choir Tempus Musici, he being the founder and director of the latter.</div>
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