Teoría y práctica del bajo continuo 1
Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Intermediate Level
Collection
Teoría y práctica del bajo contínuo
Language
Format
Book
Contents
Teoría y práctica del bajo contínuo 1 (Theory and practice of continuo playing 1)Nowadays any musician wishing to approach the vocal and instrumental works of the sixteenth and seventeenth centuries must have a command of the rules of continuo playing, this being essential for the players of the harpsichord, organ and plucked-string instruments who provide the accompaniment for the soloists and the harmonic structure of the musical fabric.
The first volume sets out to introduce students to the practice of reading figured-bass parts and to applying this to linking up the chords. There are also graded exercises to provide practice in reading figured bass parts, covering various aspects.
Structure
Introduction. The historical setting.A. Level one: general rules. Cadences. Choirs etc.
B. Level two: the recitative. The behaviour and aim of the continuo part according to the theoreticians of the time. The bass line. The volume of the harpsichord.
Technical Specifications
Measurements
21 x 29,7 cm, vertical
Binding
Paperback
Number of Pages
64
ISMN
M-69210-235-9
ISBN
84-95055-95-3
Editor
DINSIC Publicacions Musicals
Also collaborating:
Cover Designer
Mateo&Solano
Translations of this Publication
Book