Fonaments del llenguatge musical
Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Elementary Level
Collection
Language
Format
Score
Contents
Along the different chapters of the book we will check, in an organized way (relatively organized and according to my point of view, of course), the whole system of symbols, codes and mechanisms used in music writing. In many cases we will also establish parallelisms between language (verbal) and musical language. Though they are two totally different faculties and even ruled by different parts of the brain, it is interesting to take the meaning of concepts such as spelling, grammar or syntax in order to determine behaviours and procedures when writing a score correctly.The title 'Modern music texts. Musical language basis' does not mean that those 'basis' are recent invention, on the contrary. They are the result of an evolving tradition that goes back many centuries on time. In fact, they have been the result of the wish for reflecting in writing and to the maximum detail exactly what we want the musician to do when playing score. This is the reason why, when talking about the symbols and the codes, we will usually refer explicitly to jazz performing and modern music. Regarding this it is also important to keep in mind that music keeps evolving and, along with it, the musical language evolves as well. Due to the previous, some of these symbols and behaviour codes are not totally standardized. This fact happens particularly in the modern music field. In these situations, different procedures will be commented, along with an explicit recommendation of the most expanded and operative way to work, coming from my own knowledge and experiences.
Technical Specifications
Measurements
17 x 24 cm, vertical
Binding
Paperback
Number of Pages
168
ISMN
M-69210-413-1
ISBN
84-95055-05-8
Editor
DINSIC Publicacions Musicals
Also collaborating:
Cover Designer
Irene Solsona
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In the field of modern music the study of contemporary harmony has provided fertile ground for the emergence of numerous books, all seeking to provide an explanation and rationale for the various new applications of harmony to today's music styles. Rarely, however, has a book emerged that treats the subject with such clear understanding and organization as this new text by composer and educator, Enric Alberich.
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Learning and playing music involve combining aspects of a complex of skills and abilities ranging from physical dexterity to complicated mental processes live in real time during a performance. Even simply reading a musical score displays the wide range of components needed for producing music: knowledge is required in order to identify the notes on the staff in different keys and the bars that determine the duration of each, to locate these notes on the instrument itself, and, of course, to give the whole piece appropriate artistic expression, as intended by the composer or by the players themselves.
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