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El llibre d'orgue de Calaf

Inside Pages
Author/Composer
Critical Edition
Text
Field
Music Schools and Conservatoires Elementary Level
Scores Elementary
Collection
Calaix de solfa Nr. 17
Language
Format
Score
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Code | Context
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It is a thorough and careful critical edition by late Josep Crivillé i Bargalló, who at the age of 17 in 1964 bought the manuscript at the mercat de Sant Antoni in Barcelona. His early ethomusicologic flair was in tune with what the people at the Obra del Cançoner Popular de Catalunya (OCPC) had already noticed: the importance of these librettos, where organists noted down the fashionable melodies of their time to play them in liturgical celebration of certain festivities along the year. At the time of Crivillé’s buying of this manuscript, the main body of the OCPC materials were kept in Switzerland, which made them unavailable to consult, and even more so to young musicologists of the 60s. Thus, the existence of this manuscript led a number of researchers to assiduously refer to this original; Crivillé reluctantly accepted, jealous as he was of the fruits of his personal research. He finally decided to publish a complete edition of the Llibre d’orgue de Calaf, thus its reference became of public domain. Josep Crivillé’s critical study of the Llibre d'orgue de Calaf is meticulous, especially in its Notes sobre la seva morfologia (Notes on the morphology). It is faithful to Crivillé’s log defended judgement that it was not enough to publish popular and folk melodies – of which Catalan culture is certainly rich –, but thoughtful research ought to be carried on their context, their musical substance, their lyrics and their organologic features.", "keywords" => "El llibre d'orgue de Calaf, 978-84-96753-58-7, 979-0-69210-875-7, El llibre d'orgue de Calaf, Calaix de solfa, Calaix de solfa, Organ, Jaume Carrer , Josep Crivillé , Josep Crivillé , Ramon Vilar", "img_src" => "test.dinsic.com/img/cache/26ef68301735650e6af8795650a181b7-5196-151.jpg", "relacionats" => array(), "publicacion" => array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => 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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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national payments.<br /> <br /> As in payments with credit cards, which are completely safe, the seller doesn’t have any access to your banc details.<br /> <br /> Link your credit or debit card to PayPal and decide with them your preferred payment method.</div> ", "url" => "more_ways_to_pay_paypal", "published" => "1", "lft" => "73", "rght" => "74", "locale" => "en_gb" ) ) $perfils_lateral = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $cloud = " <a href="/searches/index/q:abesten 3" class="word size7">abesten 3</a> <a href="/searches/index/q:El timbaler del Bruc" class="word size5">El timbaler del Bruc</a> <a href="/searches/index/q:Musica" class="word size5">Musica</a> <a href="/searches/index/q:Carnestoltes" class="word size5">Carnestoltes</a> <a href="/searches/index/q:passeport" class="word size7">passeport</a> <a href="/searches/index/q:flauta" class="word size4">flauta</a> <a href="/searches/index/q:Da Camera 22" class="word size7">Da Camera 22</a> <a href="/searches/index/q:Literatura e interpretación de la trompeta" class="word size6">Literatura e interpretación de la trompeta</a> <a href="/searches/index/q:corda" class="word size2">corda</a> <a href="/searches/index/q:abesten" class="word size5">abesten</a> <a href="/searches/index/q:abesten 2" class="word size9">abesten 2</a> <a href="/searches/index/q:tot ho podem expressar" class="word size4">tot ho podem expressar</a> <a href="/searches/index/q:els músics més petits" class="word size3">els músics més petits</a> <a href="/searches/index/q:cançó" class="word size4">cançó</a> <a href="/searches/index/q:partitura" class="word size9">partitura</a> <a href="/searches/index/q:somnis" class="word size5">somnis</a> <a href="/searches/index/q:Da Camera 22: Tres danses americanes per a quartet de corda" class="word size8">Da Camera 22: Tres danses americanes per a quartet de corda</a> <a href="/searches/index/q:cantata nadalenca nit de vetlla" class="word size1">cantata nadalenca nit de vetlla</a> <a href="/searches/index/q:soliloquis" class="word size9">soliloquis</a> <a href="/searches/index/q:acompañamiento de canciones infantiles" class="word size8">acompañamiento de canciones infantiles</a> <a href="/searches/index/q:cançoner" class="word size2">cançoner</a> <a href="/searches/index/q:Palau insòlit" class="word size4">Palau insòlit</a> <a href="/searches/index/q:Quartet de corda núm. 3" class="word size2">Quartet de corda núm. 3</a> <a href="/searches/index/q:Catala" class="word size2">Catala</a> <a href="/searches/index/q:piano" class="word size3">piano</a> <a href="/searches/index/q:abesten 4" class="word size6">abesten 4</a> <a href="/searches/index/q:nadal" class="word size1">nadal</a> <a href="/searches/index/q:musica 2" class="word size4">musica 2</a> <a href="/searches/index/q:Sonatina de Nadal" class="word size7">Sonatina de Nadal</a> <a href="/searches/index/q:orquestra i cada instrument" class="word size2">orquestra i cada instrument</a> " $descompte = 0 $options_third_level = array( "All types", "orchestral_music" => "Orchestral music", "vocal_and_choral_music" => "Vocal and Choral Music", "instrumental_music" => "Instrumental Music" ) $options_instruments_level = array( "All Instruments", "brass" => "Brass", "clarinets_and_saxes" => "Clarinets and Saxes", "double_reed" => "Double Reed ", "electronic_keyboard" => "Electronic Keyboard", "flutes_recorders_and_pipes" => "Flutes, recorders and pipes", "guitares" => "Guitares", "harp_lyre_electric_bass_etc" => "Harp, Lyre, Electric Bass, etc.", "key_hammered_string_piano" => "Key / Hammered String (Piano)", "key_plucked_string_harpsichord" => "Key / Plucked String (Harpsichord). 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He finally decided to publish a complete edition of the Llibre d’orgue de Calaf, thus its reference became of public domain. Josep Crivillé’s critical study of the Llibre d'orgue de Calaf is meticulous, especially in its Notes sobre la seva morfologia (Notes on the morphology). 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It is a thorough and careful critical edition by late Josep Crivillé i Bargalló, who at the age of 17 in 1964 bought the manuscript at the <em>mercat de Sant Antoni</em> in Barcelona. His early ethomusicologic flair was in tune with what the people at the <em>Obra del Cançoner Popular de Catalunya</em> (OCPC) had already noticed: the importance of these librettos, where organists noted down the fashionable melodies of their time to play them in liturgical celebration of certain festivities along the year.</div> <div> <br /> At the time of Crivillé’s buying of this manuscript, the main body of the OCPC materials were kept in Switzerland, which made them unavailable to consult, and even more so to young musicologists of the 60s. Thus, the existence of this manuscript led a number of researchers to assiduously refer to this original; Crivillé reluctantly accepted, jealous as he was of the fruits of his personal research. 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Contents
With the publishing of the Llibre d’orgue de Calaf, this historic document is restored to the town of Calaf. It is a thorough and careful critical edition by late Josep Crivillé i Bargalló, who at the age of 17 in 1964 bought the manuscript at the mercat de Sant Antoni in Barcelona. His early ethomusicologic flair was in tune with what the people at the Obra del Cançoner Popular de Catalunya (OCPC) had already noticed: the importance of these librettos, where organists noted down the fashionable melodies of their time to play them in liturgical celebration of certain festivities along the year.
At the time of Crivillé’s buying of this manuscript, the main body of the OCPC materials were kept in Switzerland, which made them unavailable to consult, and even more so to young musicologists of the 60s. Thus, the existence of this manuscript led a number of researchers to assiduously refer to this original; Crivillé reluctantly accepted, jealous as he was of the fruits of his personal research. He finally decided to publish a complete edition of the Llibre d’orgue de Calaf, thus its reference became of public domain.
Josep Crivillé’s critical study of the Llibre d'orgue de Calaf is meticulous, especially in its Notes sobre la seva morfologia (Notes on the morphology). It is faithful to Crivillé’s log defended judgement that it was not enough to publish popular and folk melodies – of which Catalan culture is certainly rich –, but thoughtful research ought to be carried on their context, their musical substance, their lyrics and their organologic features.
Instruments
OrganTechnical Specifications
Measurements
21 x 29,7 cm, vertical
Binding
Staple. Plastic-coated cover.
Number of Pages
109
ISMN
979-0-69210-875-7
ISBN
978-84-96753-58-7
Editor
DINSIC Publicacions Musicals
Also collaborating:
Cover Designer
Hermini Mampel