Dues invencions per a dos pianos
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Per haver estat deixeble de R. Gerhard que, a la vegada, havia estudiat amb Schoenberg, la música de Joaquim Homs ofereix força concomitànces amb la del vienès. Amb tot, Homs no adoptaria el dodecatonisme fins a la dècada dels cinquanta. Les Dues invencions –Moderato i Vivace- van ser compostes l’any 1964, per tant pertanyen a un període on el dodecatonisme està ja plenament assumit i àdhuc adequat al concepte creatiu d’Homs. Així, pot afirmar-se que l’obra està basada en la successió de les 12 notes que formen el nucli inicial de la mateixa. Partint d’ella i de les seves dotze transposicions en constant rotació, es formen unes estructures que, segons el gust i la imaginació de l’autor, determinen el curs i la forma de l’obra.
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