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[continguts_generals] => When presenting this little piece entitled Da Camera 19, fifteen pieces for four-hand piano, I would like to remind: 1. That the four-hand interpretation imposes the performers to commit to a strict rhythm . 2. That the four-hand interpretation on a piano keyboard is able to produce melodic, harmonic and rhythmic effects that are extremely rich, without a great difficulty of execution. 3. That establishing a musical dialogue with someone else -and specially when those who speak are young- is always more interesting, more fun and more enriching than speaking alone. After reminding all this, I would only like to add that the themes that motivate the musical dialogue of this little work evoke the popular inspiration, but they are expressed through a very proper and present language; to me it is like seeing the eyes of always on today's face. D´Auves
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La clasificación del nivel de una partitura normalmente viene determinado por el grado de dificultad técnica del instrumento o voz. En los casos de obras para formaciones instrumentales diversas, orquestales, vocales, etc. el nivel se determina atendiendo a la complejidad general de la obra, no a la de sus instrumentos en particular. Es muy importante conocer este criterio porque las obras de conjunto aparecen también en los listados específicos de cada uno de sus instrumentos o voces que participan en él, pero el nivel que se indica es el de la formación instrumental-vocal.
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La clasificación del nivel de una partitura normalmente viene determinado por el grado de dificultad técnica del instrumento o voz. En los casos de obras para formaciones instrumentales diversas, orquestales, vocales, etc. el nivel se determina atendiendo a la complejidad general de la obra, no a la de sus instrumentos en particular. Es muy importante conocer este criterio porque las obras de conjunto aparecen también en los listados específicos de cada uno de sus instrumentos o voces que participan en él, pero el nivel que se indica es el de la formación instrumental-vocal.
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