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Havaneres per a piano, volums I i III
Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Intermediate Level
Music Schools and Conservatoires Advanced Level
Scores Advanced
Scores Intermediate
Collection
Col·lecció Havaneres - Leonora Milà (paper copy) Nr. 1
Language
Spanish, Catalan, Music, English
Format
Score
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Code | Context
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Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu. Leonora Milà Pianist and composer", "keywords" => "Havaneres per a piano, volums I i III, 979-0-69210-856-6, Havaneres per a piano, volums I i III, Col·lecció Havaneres - Leonora Milà (paper copy), Col·lecció Havaneres - Leonora Milà (paper copy), Piano, Leonora Milà Romeu", "img_src" => "test.dinsic.com/img/cache/991e3b53d2671cf924b911ebe1de5f4b-5178-151.coberta havaneres piano i-iii,jpg", "relacionats" => array( array() ), "publicacion" => array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ) ) $loadHelpers = true $cached = false $loadedHelpers = array( "Html" => HtmlHelper HtmlHelper::$tags = array HtmlHelper::$base = "" HtmlHelper::$here = 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choir in all its formations. Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br /> <br /> We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br /> <br /> We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br /> <br /> At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br /> <br /> Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br /> <br /> We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div> ", "url" => "what_we_do", "published" => "1", "lft" => "71", "rght" => "72", "locale" => "en_gb" ) ) $listcolleccions = array( array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ) ) $listformacions = array( array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ) ) $listinstruments = array( array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ) ) $paypal = array( "Page" => array( "id" => "42", "order" => "9", "parent_id" => null, "name" => "More ways to pay: PayPal", "html" => "<div> DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br /> <br /> For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - 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Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu. 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Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.<br /> Leonora Milà<br /> Pianist and composer</div> ", "estructuracio" => "", "ctecnica" => "", "ilustracion" => "", "info_descarga" => "" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array() ), "Category" => array( array(), array(), array(), array() ), "Colleccion" => array( array() ), "Editor" => array( array(), array() ), "Enquadernacion" => array( array() ), "Formacion" => array(), "Idioma" => array( array(), array(), array(), array() ), "Instrument" => array( array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array( array(), array() ), "Rsspost" => array() ) $url = "https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-intermediate_level/card/score-chlm1-havaneres_per_a_piano_volums_i_i_iii" $action = "https://www.facebook.com/sharer/sharer.php?u=https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-intermediate_level/card/score-chlm1-havaneres_per_a_piano_volums_i_i_iii&t=Partitura+Havaneres+per+a+piano%2C+volums+I+i+III&src=sp" $metatag_image_description = "Havaneres per a piano, volums I i III-Col·lecció Havaneres - Leonora Milà (paper copy)-Music Schools and Conservatoires Intermediate Level-Music Schools and Conservatoires Advanced Level-Scores Advanced-Scores Intermediate" $categories_metatag = array( "Music Schools and Conservatoires Intermediate Level", "Music Schools and Conservatoires Advanced Level", "Scores Advanced", "Scores Intermediate" ) $elem = array( "id" => "1724", "nom" => "English", "published" => "1", "url" => "english", "locale" => "en_gb" ) $colleccion_names = array( "Col·lecció Havaneres - Leonora Milà (paper copy)" ) $selected_image = "5178" $pub = array( "id" => "3885", "model" => "Publicacion", "foreign_id" => "11706", "order" => "2", "file_id" => "5180", "archivestypes_id" => "11" ) $urlimage = "http://www.dinsic.com/img/cache/991e3b53d2671cf924b911ebe1de5f4b-5178-151.coberta havaneres piano i-iii,jpg" $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/991e3b53d2671cf924b911ebe1de5f4b-5178-151.coberta havaneres piano i-iii,jpg" $imgsize = array( 151, 209, 2, "width="151" height="209"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $imgprinted = false $selected_mp3s = array() $selected_pdf = "5179" $valid_example = true $i = 4 $k = 0 $elem2 = array( "id" => "5616", "nom" => "Leonora", "cognom" => "Milà", "2cognom" => "Romeu", "curriculum" => "<div> La pianista i compositora Leonora Milà va néixer a Vilanova i la Geltrú (Barcelona, 1942) en una família amb forts vincles en el món de la música, ja que el seu pare, Josep Milà, va ser un destacat violoncel•lista de l’Orquestra Pau Casals i, també, de l’Orquestra del Gran Teatre del Liceu de Barcelona. Deixebla de la pedagoga Maria Canals, Leonora Milà rep el qualificatiu de “nena prodigi” gràcies als dos concerts que el 1949 ofereix al Palau de la Música Catalana interpretant, amb només sis anys, obra pròpia i el concert per a piano i orquestra KV 488 de W. A. Mozart acompanyada per l’Orquestra Ciutat de Barcelona.<br /> La carrera internacional de l’artista catalana s’inicia als dotze anys quan actua en un programa de la BBC de Londres interpretant peces per a piano d’Enric Granados i Manuel de Falla. Aquesta actuació li obre les portes de la capital britànica on hi torna un any més tard, el 1955, per actuar al Royal Albert Hall interpretant l’obra Noches en los jardines de España, del compositor Manuel de Falla, amb la London Philharmonic Orchestra i sota la batuta de Rudolph Dunbar.<br /> Guanyadora del Concurs Internacional d’Execució Musical Maria Canals (Barcelona) de 1966 i finalista del Concorso Internazionale di Musica G. B. 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Contents
The Habanera: from popular song to classical music
The habaneras for piano I wrote at the beginning of the nineties are a felt and volitional homage to my hometown, Vilanova i la Geltrú. Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.
Leonora Milà
Pianist and composer
The habaneras for piano I wrote at the beginning of the nineties are a felt and volitional homage to my hometown, Vilanova i la Geltrú. Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.
Leonora Milà
Pianist and composer
Instruments
PianoTechnical Specifications
Measurements
21 x 29,7 cm, vertical
Binding
Adhesive binding
Number of Pages
62
ISMN
979-0-69210-856-6
Editor
DINSIC Publicacions Musicals, El Far Blau
Related Publications
Score
