Obra completa per a cobla. Volum I
Inside Pages
Author/Composer
Critical Edition
Field
Music Schools and Conservatoires Elementary Level
Scores Elementary
Collection
Obra completa per a cobla d'Eduard Toldrà Nr. 1
Language
Format
Score
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Contents
One of the most relevant and complete Catalan composers of the 20th century, Eduard Toldrà was dedicated to all fields in music: the instrument, the teaching, the orchestra conduction and, above all, the creation, the composition. His relevance also stems from his excelling extraordinarily in the aforementioned fields. Until now, the sardanes he composed had been scantily studied and rarely paid attention to, deprived of the lawful value and admiration they deserve. Time and again, they present us with little turns and miniatures, surprising flashes of great psychological fineness, like in the short - minor, if you please - pieces of the great composers. In writing them, Toldrà transcended simple folklore.
Toldrà’s ouvre for cobla consists of thirty-six works: thirty-four sardanes and two non-sardanistic compositions, Les danses de Vilanova (1921), a gloss on the popular ballet, and La maledicció del Compte Arnau (1926), a lyric impression - according to its subtitle -, for three clobles and drum. In the Complete Works, the sardanes are published chronologically, according to the date of their composition. Twelve sardanes (1917-1923) are found in this first volume, thirteen in the second (1924-1932), and six in the third (1935-1950), along with the above-named non-sardanistic works and appendix featuring three reverse sardanes.
Toldrà’s ouvre for cobla consists of thirty-six works: thirty-four sardanes and two non-sardanistic compositions, Les danses de Vilanova (1921), a gloss on the popular ballet, and La maledicció del Compte Arnau (1926), a lyric impression - according to its subtitle -, for three clobles and drum. In the Complete Works, the sardanes are published chronologically, according to the date of their composition. Twelve sardanes (1917-1923) are found in this first volume, thirteen in the second (1924-1932), and six in the third (1935-1950), along with the above-named non-sardanistic works and appendix featuring three reverse sardanes.
Structure
Introducció
Dotze sardanes
1. — Sol ponent en Sol major
2. — Gentil Antònia en Si bemoll major
3. — Marinera en Fa major
4. — La nuvolada en Sol menor
5. — Lluna plena en Mi bemoll major
6a. — Mariona en Si bemoll major, (1a versió)
6b. — Mariona en Si bemoll major, (2a versió)
7. — L’hereu i la pubilla en Si bemoll major
8. — La nevada en Fa major
9. — Esperança en Mi bemoll major
10. — Caterina d’Alió en Do menor
11a. — Sol ixent en Fa major, (1a versió)
11b. — Sol ixent en Fa major, (2a versió)
12. — Camperola en Fa major
Notes crítiques
Apèndix
Gentil Antònia (versió de 1918)
Glossari
Dotze sardanes
1. — Sol ponent en Sol major
2. — Gentil Antònia en Si bemoll major
3. — Marinera en Fa major
4. — La nuvolada en Sol menor
5. — Lluna plena en Mi bemoll major
6a. — Mariona en Si bemoll major, (1a versió)
6b. — Mariona en Si bemoll major, (2a versió)
7. — L’hereu i la pubilla en Si bemoll major
8. — La nevada en Fa major
9. — Esperança en Mi bemoll major
10. — Caterina d’Alió en Do menor
11a. — Sol ixent en Fa major, (1a versió)
11b. — Sol ixent en Fa major, (2a versió)
12. — Camperola en Fa major
Notes crítiques
Apèndix
Gentil Antònia (versió de 1918)
Glossari
Technical Specifications
Measurements
21 x 29,7 cm, vertical
Binding
Staple. Plastic-coated cover.
Number of Pages
139
ISMN
979-0-69210-868-9
Editor
DINSIC Publicacions Musicals
Also collaborating:
Cover Designer
Carles Marsal
Cover illustration
Xavier Nogués (Museu de Montserrat)
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