Acuitacantar 4: Tirant lo Blanc i Un concert desconcertant
Author/Composer
Text
Miquel Desclot
Núria Albó Corrons
Field
Music Schools and Conservatoires Elementary Level
Music in General Education Pre-school
Music in General Education Primary School
Collection
Cantates infantils CD Nr. 4
Language
Format
CD
Contents
CD with recordings of the children cantata "Tirat lo blanc", with music by Antoni Ros Marbà and text by Núria Albó and "Un concert desconcertant" with music by Antoni Ros Marbà and text by Miquel Desclot
Published in 2004 by TVC Disc for Secretariat de Corals Infantils de Catalunya
Published in 2004 by TVC Disc for Secretariat de Corals Infantils de Catalunya
Technical Specifications
Duration
41' 44"
Measurements
14,5 x 12,5, horizontal
Binding
Hard plastic case
Editor
SCIC - Secretariat Corals Infantils Catalunya
Related Publications
Score
Un concert desconcertant (PB)
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POCKET SCORE
Un concert desconcertant ['A Disconcerting Concert'] is a long piece, which, besides a big children choir, requires a symphonic orchestra, a salsa band, a narrator and a solo soprano and solo bass.
This cantata tells the story of the great orchestra conductor, Albert Font Caragran, who forgot his baton in his rush to the concert hall, where he was supposed to premiere the piece El pa i la gana ['Hunger and bread']. Instead of his baton, he took the magic wand of his wife, Fada Morgana. You probably can imagine the concert he did! You will be able to find out when you listen to it!
Antoni Gálvez Carcellé, general coordinator of the SCIC
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L'oboè
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El contrabaix
El fagot
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El metall
Cant dels menjaires (Tafel-Musik)
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Score
Tirant lo blanc
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This publication is a reduction for choir and piano of the cantata Tirant lo Blanc composed for children's choir, narrator and orchestra ' two flutes (piccolo), oboe, 2 clarinets, bassoon, 2 French horns, 3 trumpets, 3 trombones, tuba, 2 pianos, organ, cellos, double basses and percussion (4 performers: timpani, xylophone, drum, lyre, piatti, gran cassa, tam-tam, bass drum, triangle, legno, suspended cymbal, flexatone and bell).
This cantata masterfully combines the composer's own musical language with that of the past, and it evinces great pedagogical sensibility. It is at once a demonstration of balance between the lyricism of highly inspired melodies and the dramatic nature of scenes such as 'the battle', with that 1970s call for lost freedom so steeped in meaning which still calls out to us today. Ros Marbà displays his deep knowledge of the orchestra (with an unusual line-up ' no violins or violas, he having done without them for purely financial reasons), a knowledge that comes from his profession, and he attains a very transparent, direct general sound in the work that can range from a chamber-music sound to his expertly handled grand climaxes.
As for the text by Núria Albó, its intrinsic quality is to be noted, whether in the prose of the narrator parts or in the verse of the choral parts. And it has something extra: the masterful way in which it turns Joanot Martorell's original text into a cantata for children, enabling them to understand it but without betraying it. This is no doubt its great merit: bringing within reach, or rather opening a door towards, this crowning work of Catalan fifteenth-century literature.
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(Choir an piano reduction)
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This cantata tells the story of Albert Font Caragran, an orchestra director who, rushing to the premiere of “Bread and Hunger”, took instead of his baton, his wife The Fairy Morgana’s wand. Imagine the concert he’d have to face! You’ll listen to it.
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El contrabaix
El fagot
Percussió i arpa
El metall
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This cantata tells the story of Albert Font Caragran, an orchestra director who, rushing to the premiere of “Bread and Hunger”, took instead of his baton, his wife The Fairy Morgana’s wand. Imagine the concert he’d have to face! You’ll listen to it.
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El contrabaix
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Percussió i arpa
El metall
Cant dels menjaires (Tafel-Musik)
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El contrabaix
El fagot
Percussió i arpa
El metall
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12.48 €
