Initially conceived as a piece with a certain nocturne character, “Diario de noche”, however, does not develop melody as much as one would expect, but tends to combine by way of an etude two basic elements: chords and their dissolution in fast sequences, which are treated differently as refers both structure and timbre. It is worth mentioning the distribution within time and space of this composition of constellations which reappear along the piece in different contexts and in a more compressed or dilated way.
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