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Missa in Epiphania Domini PB
Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Advanced Level
Scores Advanced
Collection
Pocket Scores of Orchestral Music Nr. 35
Language
Spanish, Catalan, Music, English
Format
Score
Notice (8): Undefined variable: audio_files [APP/views/publicacions/display.ctp, line 447]
Code | Context
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He was greatly applauded according to an article by Oriol Martorell in El Correo Catalán on 22 March 1957. According to O. Martorell, Bonet reaffirmed his promising musical temperament, which the composer had previously revealed, and marked the premiere as an authentic apotheosis in the same article. This article emphasized the original and pioneering nature of combining traditional elements with modern ones, such as the Gregorian melodies, on the one hand, and the influences of Igor Stravinsky, especially as regards rhythmic elements, on the other. According to Martorell, this very sincere composition was a means in which the composer sought to connect liturgical text and musical elements. The eminent composer Eduard Toldrà also attended the premiere. He was just as impressed by the Missa, and described it as the most important score in the Catalan music of that time. 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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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He was greatly applauded according to an article by Oriol Martorell in El Correo Catalán on 22 March 1957. According to O. Martorell, Bonet reaffirmed his promising musical temperament, which the composer had previously revealed, and marked the premiere as an authentic apotheosis in the same article. This article emphasized the original and pioneering nature of combining traditional elements with modern ones, such as the Gregorian melodies, on the one hand, and the influences of Igor Stravinsky, especially as regards rhythmic elements, on the other. According to Martorell, this very sincere composition was a means in which the composer sought to connect liturgical text and musical elements. The eminent composer Eduard Toldrà also attended the premiere. He was just as impressed by the Missa, and described it as the most important score in the Catalan music of that time. 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He was greatly applauded according to an article by Oriol Martorell in El Correo Catalán on 22 March 1957. According to O. Martorell, Bonet reaffirmed his promising musical temperament, which the composer had previously revealed, and marked the premiere as an authentic apotheosis in the same article.<br /> <br /> This article emphasized the original and pioneering nature of combining traditional elements with modern ones, such as the Gregorian melodies, on the one hand, and the influences of Igor Stravinsky, especially as regards rhythmic elements, on the other.<br /> <br /> According to Martorell, this very sincere composition was a means in which the composer sought to connect liturgical text and musical elements.<br /> <br /> The eminent composer Eduard Toldrà also attended the premiere. He was just as impressed by the Missa, and described it as the most important score in the Catalan music of that time.<br /> <br /> Darius Milhaud, who was equally enthusiastic about the work, immediately recommended it for the composition award of the Copley Foundation in Chicago, which Bonet received in 1958.</div> ", "estructuracio" => "", "ctecnica" => "", "ilustracion" => "", "info_descarga" => "" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array() ), "Category" => array( array(), array() ), "Colleccion" => array( array() ), "Editor" => array( array() ), "Enquadernacion" => array( array() ), "Formacion" => array( array(), array() ), "Idioma" => array( array(), array(), array(), array() ), "Instrument" => array( array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array( array(), array() ), "Rsspost" => array() ) $url = "https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/score-pb_35-missa_in_epiphania_domini_pb" $action = "https://www.facebook.com/sharer/sharer.php?u=https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/score-pb_35-missa_in_epiphania_domini_pb&t=Partitura+Missa+in+Epiphania+Domini+PB&src=sp" $metatag_image_description = "Missa in Epiphania Domini PB-Pocket Scores of Orchestral Music-Music Schools and Conservatoires Advanced Level-Scores Advanced" $categories_metatag = array( "Music Schools and Conservatoires Advanced Level", "Scores Advanced" ) $elem = array( "id" => "1724", "nom" => "English", "published" => "1", "url" => "english", "locale" => "en_gb" ) $colleccion_names = array( "Pocket Scores of Orchestral Music" ) $selected_image = "10144" $pub = array( "id" => "8707", "model" => "Publicacion", "foreign_id" => "12978", "order" => "2", "file_id" => "10162", "archivestypes_id" => "11" ) $urlimage = "http://www.dinsic.com/img/cache/36efdcf72811c9fe40997b3100af73c2-10144-151.jpg" $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/36efdcf72811c9fe40997b3100af73c2-10144-151.jpg" $imgsize = array( 151, 214, 2, "width="151" height="214"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $imgprinted = true $selected_mp3s = array() $selected_pdf = "10145" $valid_example = true $i = 4 $k = 0 $elem2 = array( "id" => "1573", "nom" => "Narcís", "cognom" => "Bonet", "2cognom" => "", "curriculum" => "<div> Nascut a Barcelona el 22 de gener de 1933. Primers estudis musicals amb el guiatge de Joan Massià (piano amb Maria Carbonell), Joan Llongueres i Eduard Toldrà, que signa la seva presentació al públic del Palau de la Música Catalana, als 13 anys, com a compositor i pianista. Treballa més tard amb Joaquim Zamacois, Emili Pujol i Lluís Maria Millet. Deixeble, a partir del 1949 de Nadia Boulanger, a París, i més endavant, d'Igor Markevitch.<br /> La seva densa trajectòria musical s'ha concretat en multiplicitat de facetes: composició (primer premi del Conservatori Americà de Fontainebleau) acompanyament (primera medalla del Conservatori Nacional de París) direcció d'orquestra, animació, divulgació i gestió musical, i molt especialment l'ensenyament, sense oblidar la seva acció al servei de la cultura catalana, per mitjà de l'Agrupació Dramàtica de Barcelona, com a Secretari d'Òmnium Cultural a París, productor de les emissions París, fogar de cultura catalana de la Radiodifusió Francesa i, darrerament, president del Casal de Catalunya a París.<br /> Narcís Bonet ha estat guardonat amb diversos premis de composició (Fundació Copley de Chicago, Fundació March, Prince Rainier III de Mònaco) i ha rebut nombrosos encàrrecs (Festival d'Amèrica-Espanya, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne de París, festivals de Sevilla i de Granada, Festival Chopin de París').<br /> Entre els càrrecs que ha exercit, cal esmentar-ne el de president de les Joventuts Musicals de Barcelona, membre del Bureau i president de la Federació Internacional de les Joventuts Musicals, representant del Consell Internacional de la Música de la UNESCO, productor dels programes musicals de les emissions en llengua espanyola de la Ràdio Francesa, secretari tècnic de l'Orquestra i Cors de la RTVE, Conseller musical de la Dotació d'Art Castellblanch, membre del jurat de diversos concursos internacionals de piano i composició.<br /> A partir de 1971 desplega una gran activitat pedagògica al Conservatori Municipal de París, a l'Escola Nacional de Música de Créteil i, finalment, a l'Escola Normal de Música de París, on exercirà el càrrec de director adjunt, i al Conservatori Americà de Fontainebleau, on succeeix en la direcció Nadia Boulanger.<br /> Autor d'un Tractat de Solfeig, ha col·laborat amb Igor Markevitch en l'edició enciclopèdica de les nou Simfonies de Beethoven (Editions Van de Velde).<br /> Actualment és membre del Consell Musical de la Fundació Prince Pierre de Mònaco, Commandeur dans l'Ordre du Mérite Culturel i Commandeur de l'Ordre de Saint-Charles del Principat de Mònaco, membre del Consell de la Fundació Internacional Nadia i Lili Boulanger, director de l'Associació de l'Escola Normal de Música de París, on a més exerceix la seva activitat pedagògica, i també a l'Schola Cantorum de París. Membre de la Reial Acadèmia Catalana de Belles Arts de Sant Jordi, el Govern Català li ha concedit recentment la Creu de Sant Jordi.</div> <div> <a href="http://www.narcisbonet.org" style="font-size: 12px;">Més informació a la web de l'autor</a></div> ", "data_desconeguda" => "0", "data_naixement" => "1933-01-22", "nomes_any_naixement" => "0", "nomes_any_defuncio" => "0", "defuncio" => "0", "data_defuncio" => "0000-00-00", "data_defuncio_desconeguda" => "0", "url" => "narcis_bonet", "published" => "1", "PublicacionsAutor" => array( "id" => "5222", "autor_id" => "1573", "publicacion_id" => "12978", "funcion_id" => "1473" ) ) $path = "scores-advanced" $valid = true
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Contents
"Missa in Epiphania Domini" for vocal soloists, mixed choir and orchestra was written in 1957 and premiered the same year at the Palau de la Música, when the composer was at the very young age of only 24. He was greatly applauded according to an article by Oriol Martorell in El Correo Catalán on 22 March 1957. According to O. Martorell, Bonet reaffirmed his promising musical temperament, which the composer had previously revealed, and marked the premiere as an authentic apotheosis in the same article.
This article emphasized the original and pioneering nature of combining traditional elements with modern ones, such as the Gregorian melodies, on the one hand, and the influences of Igor Stravinsky, especially as regards rhythmic elements, on the other.
According to Martorell, this very sincere composition was a means in which the composer sought to connect liturgical text and musical elements.
The eminent composer Eduard Toldrà also attended the premiere. He was just as impressed by the Missa, and described it as the most important score in the Catalan music of that time.
Darius Milhaud, who was equally enthusiastic about the work, immediately recommended it for the composition award of the Copley Foundation in Chicago, which Bonet received in 1958.
This article emphasized the original and pioneering nature of combining traditional elements with modern ones, such as the Gregorian melodies, on the one hand, and the influences of Igor Stravinsky, especially as regards rhythmic elements, on the other.
According to Martorell, this very sincere composition was a means in which the composer sought to connect liturgical text and musical elements.
The eminent composer Eduard Toldrà also attended the premiere. He was just as impressed by the Missa, and described it as the most important score in the Catalan music of that time.
Darius Milhaud, who was equally enthusiastic about the work, immediately recommended it for the composition award of the Copley Foundation in Chicago, which Bonet received in 1958.
Technical Specifications
Duration
28'
Measurements
15,5 x 21 cm, vertical
Binding
Adhesive binding
Number of Pages
68
ISMN
979-0-69231-851-4
Editor
DINSIC Publicacions Musicals
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