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Mes dix ans avec Nadia Boulanger


Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Advanced Level
Musical Pedagogy
Musicography
University Level
Collection
Calaix de música (Musical Drawer) Nr. 6
Language
Format
Book
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Code | Context
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Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. 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national payments.<br /> <br /> As in payments with credit cards, which are completely safe, the seller doesn’t have any access to your banc details.<br /> <br /> Link your credit or debit card to PayPal and decide with them your preferred payment method.</div> ", "url" => "more_ways_to_pay_paypal", "published" => "1", "lft" => "73", "rght" => "74", "locale" => "en_gb" ) ) $perfils_lateral = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $cloud = " <a href="/searches/index/q:abesten 2" class="word size6">abesten 2</a> <a href="/searches/index/q:Catala" class="word size5">Catala</a> <a href="/searches/index/q:abesten 4" class="word size4">abesten 4</a> <a href="/searches/index/q:abesten" class="word size6">abesten</a> <a href="/searches/index/q:tot ho podem expressar" class="word size2">tot ho podem expressar</a> <a href="/searches/index/q:soliloquis" class="word size1">soliloquis</a> <a href="/searches/index/q:cantata nadalenca nit de vetlla" class="word size8">cantata nadalenca nit de vetlla</a> <a href="/searches/index/q:Da Camera 22" class="word size8">Da Camera 22</a> <a href="/searches/index/q:flauta" class="word size1">flauta</a> <a href="/searches/index/q:nadal" class="word size4">nadal</a> <a href="/searches/index/q:Literatura e interpretación de la trompeta" class="word size6">Literatura e interpretación de la trompeta</a> <a href="/searches/index/q:Da Camera 22: Tres danses americanes per a quartet de corda" class="word size4">Da Camera 22: Tres danses americanes per a quartet de corda</a> <a href="/searches/index/q:Sonatina de Nadal" class="word size5">Sonatina de Nadal</a> <a href="/searches/index/q:cançó" class="word size1">cançó</a> <a href="/searches/index/q:piano" class="word size9">piano</a> <a href="/searches/index/q:cançoner" class="word size3">cançoner</a> <a href="/searches/index/q:Carnestoltes" class="word size3">Carnestoltes</a> <a href="/searches/index/q:Quartet de corda núm. 3" class="word size1">Quartet de corda núm. 3</a> <a href="/searches/index/q:El timbaler del Bruc" class="word size1">El timbaler del Bruc</a> <a href="/searches/index/q:passeport" class="word size3">passeport</a> <a href="/searches/index/q:els músics més petits" class="word size3">els músics més petits</a> <a href="/searches/index/q:acompañamiento de canciones infantiles" class="word size1">acompañamiento de canciones infantiles</a> <a href="/searches/index/q:corda" class="word size6">corda</a> <a href="/searches/index/q:somnis" class="word size9">somnis</a> <a href="/searches/index/q:partitura" class="word size5">partitura</a> <a href="/searches/index/q:Musica" class="word size9">Musica</a> <a href="/searches/index/q:Palau insòlit" class="word size7">Palau insòlit</a> <a href="/searches/index/q:orquestra i cada instrument" class="word size6">orquestra i cada instrument</a> <a href="/searches/index/q:abesten 3" class="word size9">abesten 3</a> <a href="/searches/index/q:musica 2" class="word size6">musica 2</a> " $descompte = 0 $options_third_level = array( "All types", "orchestral_music" => "Orchestral music", "vocal_and_choral_music" => "Vocal and Choral Music", "instrumental_music" => "Instrumental Music" ) $options_instruments_level = array( "All Instruments", "brass" => "Brass", "clarinets_and_saxes" => "Clarinets and Saxes", "double_reed" => "Double Reed ", "electronic_keyboard" => "Electronic Keyboard", "flutes_recorders_and_pipes" => "Flutes, recorders and pipes", "guitares" => "Guitares", "harp_lyre_electric_bass_etc" => "Harp, Lyre, Electric Bass, etc.", "key_hammered_string_piano" => "Key / Hammered String (Piano)", "key_plucked_string_harpsichord" => "Key / Plucked String (Harpsichord). 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She was guided by her own aesthetics, which, despite having been inherited from her own teacher Gabriel Fauré, never cloned or imposed them on her students. 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Born in Sofia, Bulgaria, in 1962, Emile Naoumoff started playing the piano at the age of five. One year later he composed his first pieces. At the age of eight, his encounter with Nadia Boulanger was decisive: he became her last pupil and worked with her until her death in 1979.<br /> During this enriching learning period, Nadia Boulanger gave him the opportunity to work with Clifford Curzon, Igor Markevitch, Robert and Gaby Casadesus, Nikita Magaloff, Jean Francaix, Leonard Bernstein and Yehudi Menuhin. It was actually Lord Yehudi Menuhin who conducted the premiere of his Concerto for Piano with Naoumoff 'aged only ten' at the piano. In parallel, Emile Naoumoff studied at the Conservatory of Paris with Leila Gousseau, Pierre Sancan and Geneviève Joy-Dutilleux, as well as at the École Normale de Musique in Paris, with Pierre Dervaux.<br /> After Nadia Boulanger's death, Emile Naoumoff took charge of some of her classes during the summer period at the Conservatoire d'Art Américain in Fontainebleau, an institution of which she had been a cofounder in 1921. He then had a career both as a composer (published by Schott/Mainz/Germany) and pianist, while he devoted some of his time to teaching at the Conservatory of Paris. 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But, please, don't ever forget that you have given me much more than I have. With my kindest affection, Nadia Boulanger.' (Extract of Nadia Boulanger's last letter to Emile Naoumoff, two months before her death in 1979).</div> ", "data_desconeguda" => "1", "data_naixement" => "0000-00-00", "nomes_any_naixement" => "0", "nomes_any_defuncio" => "0", "defuncio" => "0", "data_defuncio" => "0000-00-00", "data_defuncio_desconeguda" => "0", "url" => "emile_naoumoff", "published" => "1", "PublicacionsAutor" => array( "id" => "2418", "autor_id" => "4637", "publicacion_id" => "5066", "funcion_id" => "1473" ) ) $path = "music_schools_and_conservatoires-advanced_level" $valid = true
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Contents
Beyond the total of experiences lived, with this narrative I invite the reader to dive into my childhood, possibly exceptional, in the sharing of teaching and humanism of the admirable professor that was Nadia Boulanger.
Of her, who always listened to her students, stood out her artistic ethic. She was guided by her own aesthetics, which, despite having been inherited from her own teacher Gabriel Fauré, never cloned or imposed them on her students. Indeed, she satisfied their personal creative thirst through timeless and universal principles that, though only she seemed to know how to draw from her life experiences, to prepare with the utmost care a potion of balances personalised for each of her students.
Of her, who always listened to her students, stood out her artistic ethic. She was guided by her own aesthetics, which, despite having been inherited from her own teacher Gabriel Fauré, never cloned or imposed them on her students. Indeed, she satisfied their personal creative thirst through timeless and universal principles that, though only she seemed to know how to draw from her life experiences, to prepare with the utmost care a potion of balances personalised for each of her students.
Technical Specifications
Measurements
17 x 23 cm, vertical
Binding
Paperback with flaps. Matt plastic-coated.
Number of Pages
154
ISBN
978-84-96753-26-6
Editor
DINSIC Publicacions Musicals
Also collaborating:
Cover Designer
Lluïsa Jover Armengol