2018-07-25 12:48:00
Format:
Rental Materials
Author:Ferran Sor
Notice (8): Undefined index: visible_instrumentacio [APP/views/categories/display.ctp, line 394]
Code |
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"text_section" => "Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire.<br/> In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. <br/> Joan Pàmies",
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Located in the very heart of the old town of Barcelona, DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofré Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br />
<br />
Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br />
<br />
Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div>
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<a href="/en/p/introduction">Introduction</a></li>
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<a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li>
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<a href="/en/p/the_autors">The autors</a></li>
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<a href="/en/p/cooperations">Cooperations</a></li>
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<a href="/en/p/commercial_distribution">Commercial distribution</a></li>
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<a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li>
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At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br />
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We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br />
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We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br />
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At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br />
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Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br />
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We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div>
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DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br />
<br />
For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - national payments.<br />
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Link your credit or debit card to PayPal and decide with them your preferred payment method.</div>
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$text_section = "Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire.<br/> In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. <br/> Joan Pàmies"
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$title_section = "Works by<br/>Ferran Sor "
$description = "Works byFerran Sor Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire. In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. Joan Pàmies"
$keywords = "The Piano Work of Ferran Sor, Concert per a violí i orquestra (MO), Concert per a violí i orquestra (PB), Il Telemaco nell 'isola di Calipso"
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"curriculum" => "Joan Lluís Moraleda i Perxachs (1943) is very representative for his generation within the musical life of Barcelona. He studied at the Conservatori Superior Municipal de Barcelona, where he was distinguished with the 'Premi d'Honor' [Honor Prize] for oboe and composing, as well as with the 'Premi Extraordinari de Composició' [Extraordinary Composing Prize].<br/> He was a member of the Orquestra Ciutat de Barcelona as an oboist until 1980, when he decided to further his oboe, composing and conducting studies in France with T. Aubin and P Pierlot. He later studied with A. Ros-Marbà.<br/> As a composer, he has been awarded several prizes in different Cobla music competitions. He is open to all kinds of musical interests. He has been awarded the 'Obra del Ballet Popular' and the 'Agustí Borgunyó' prizes for the sum of his contributions to this field.<br/> He was a close collaborator of the deceased Ernest Lluch, with whom he built a team in order to perform again, between 1997 and 2000, the forgotten Catalan operas 'Il Telemaco nell'isola di Calipso' by F. Sor and 'Tassarba' by E. Morera.<br/> He has been principal invited conductor of the Filharmonia Mieczyslawa Karlowicza of Sttetin (Poland) for ten years and currently is principal conductor of the COBLA SIMFÒNICA DE CATALUNYA, an ambitious project lead by Maestro A. Ros-Marbà.<br/> He also is associate conductor of the Banda Municipal de Barcelona.",
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include - APP/views/categories/display.ctp, line 394
View::_render() - CORE/cake/libs/view/view.php, line 665
View::render() - CORE/cake/libs/view/view.php, line 375
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88
Notice (8): Undefined index: visible_formacions [APP/views/categories/display.ctp, line 406]
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"text_section" => "Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire.<br/> In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. <br/> Joan Pàmies",
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For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - national payments.<br />
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Link your credit or debit card to PayPal and decide with them your preferred payment method.</div>
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$text_section = "Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire.<br/> In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. <br/> Joan Pàmies"
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$title_section = "Works by<br/>Ferran Sor "
$description = "Works byFerran Sor Ferran Sor Muntades, Fernando Sors or Sort (Barcelona, 1778 ' Paris 1839) is known as a guitarist, both in his facet as an interpreter and composer. Having received his first musical education as a choirboy in Montserrat, he pursued his studies at the military academy. Due to his liberal ideals, he had to go into French exile in 1913, after the Peninsular War, and never got the desired royal amnesty that would have allowed him to return to his country. He travelled along Europe, became renown and obtained recognition as a virtuoso of the guitar and as a composer. His success however didn't limit to this instrument. At the age of 19, he premiered the opera Il Telemaco nell´isola di Calipso at the Teatre de la Santa Creu of Barcelona. In 1822 he premiered the ballet Cendrillon in London, which was a huge success, both in the British capital and in Paris, where it was performed 104 times. In 1826, on the occasion of the coronation of Tsar Nicholas I of Russia, he premiered the ballet Hercule et Omphale. Once retired in Paris, he published his famous Méthode pour la guitare in 1830, which was translated into several languages. His large 'uvre includes, besides a huge number of pieces for guitar, symphonic, religious, chamber, vocal, opera and ballet repertoire. In this short biographical sketch, we cannot omit the importance the violin had in the education of this young musician. We know that the young man's first music teacher, Josep Prats, was the concertmaster of the cathedral of Barcelona and that the protector of the composer after the death of his father, the lawyer and town councillor of the city hall of Barcelona Gaietà Gispert Suriol, was a dynamic amateur musician and a reputed violinist. It was probably due to his influence that Sors could enter the choir of the monastery of Montserrat after his father's death. Finally, already in Montserrat, when his friend at the choir, Martí Sunyer (1776-1842) took his vows in September 1793, Sor filled his shoes as a violinist of the orchestra. Joan Pàmies"
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Collection:Orchestra Materials Nr. 36
