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La cuna (version for solo clarinet and symphonic band) MB

Inside Pages
Author/Composer
Juli Garreta Arboix (1875-1925)
Musical Adaptation
Field
Collection
Symphonic Band Materials Nr. 1
Language
Format
Rental Materials
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Code | Context
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Band materials. “La cuna” is a small scale work, supposedly written in the author’s youth. In fact, it is but a “Concert solo for soloist Clarinet”, in the style of the French salon music of the time. The main source to reconstruct this piece has been a collection of individual instrumental part, without an original score, coming from the music legacy of Juli Garrega, now entrusted to the collection of the Orfeó Català de Barcelona, in the Palau de la Música Catalana. They were compiled by Abili Fort. Once the parts had been reconstructed into a general score, it could be easily inferred that this was a theme with variations, preceded by a short initial prelude. All the parts bear the title “Dance for Clarinet”, but curiously enough nowhere have we found the slightest indication of metronomic indication or playing speed. It was deemed appropriate to maintain the original notation, written for Clarinet in C and offer it now just as it was, without any change or amendment - other than an odd articulation - for the Clarinet in B flat. The original repetition signs have been maintained in every single variation, its observation left to the soloist’s discretion. Originally, the five variations were presented non-stop. However, it was deemed appropriate to offer the soloist a short rest before attempting the 4th and 5th. 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destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br /> <br /> Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br /> <br /> We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br /> <br /> We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br /> <br /> At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br /> <br /> Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br /> <br /> We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div> ", "url" => "what_we_do", "published" => "1", "lft" => "71", "rght" => "72", "locale" => "en_gb" ) ) $listcolleccions = array( array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ) ) $listformacions = array( array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ) ) $listinstruments = array( array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ) ) $paypal = array( "Page" => array( "id" => "42", "order" => "9", "parent_id" => null, "name" => "More ways to pay: PayPal", "html" => "<div> DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br /> <br /> For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - 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Band materials. “La cuna” is a small scale work, supposedly written in the author’s youth. In fact, it is but a “Concert solo for soloist Clarinet”, in the style of the French salon music of the time. The main source to reconstruct this piece has been a collection of individual instrumental part, without an original score, coming from the music legacy of Juli Garrega, now entrusted to the collection of the Orfeó Català de Barcelona, in the Palau de la Música Catalana. They were compiled by Abili Fort. Once the parts had been reconstructed into a general score, it could be easily inferred that this was a theme with variations, preceded by a short initial prelude. All the parts bear the title “Dance for Clarinet”, but curiously enough nowhere have we found the slightest indication of metronomic indication or playing speed. It was deemed appropriate to maintain the original notation, written for Clarinet in C and offer it now just as it was, without any change or amendment - other than an odd articulation - for the Clarinet in B flat. The original repetition signs have been maintained in every single variation, its observation left to the soloist’s discretion. Originally, the five variations were presented non-stop. However, it was deemed appropriate to offer the soloist a short rest before attempting the 4th and 5th. 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Band materials.</div> <div> </div> <div> “La cuna” is a small scale work, supposedly written in the author’s youth. In fact, it is but a “Concert solo for soloist Clarinet”, in the style of the French salon music of the time. <br /> <br /> The main source to reconstruct this piece has been a collection of individual instrumental part, without an original score, coming from the music legacy of Juli Garrega, now entrusted to the collection of the Orfeó Català de Barcelona, in the Palau de la Música Catalana. They were compiled by Abili Fort. Once the parts had been reconstructed into a general score, it could be easily inferred that this was a theme with variations, preceded by a short initial prelude. <br /> All the parts bear the title “Dance for Clarinet”, but curiously enough nowhere have we found the slightest indication of metronomic indication or playing speed.<br /> <br /> It was deemed appropriate to maintain the original notation, written for Clarinet in C and offer it now just as it was, without any change or amendment - other than an odd articulation - for the Clarinet in B flat. The original repetition signs have been maintained in every single variation, its observation left to the soloist’s discretion. <br /> <br /> Originally, the five variations were presented non-stop. However, it was deemed appropriate to offer the soloist a short rest before attempting the 4th and 5th. For this reason, we have taken the liberty of including a partial reprise of of the initial prelude - now transposed - in the fashion of an “Intermezzo”, to let the Soloist stop for a breath.</div> ", "estructuracio" => "", "ctecnica" => "", "ilustracion" => "", "info_descarga" => "" ), "Archivesrelation" => array( array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array(), array() ), "Category" => array( array() ), "Colleccion" => array( array() ), "Editor" => array( array() ), "Enquadernacion" => array( array() ), "Formacion" => array( array() ), "Idioma" => array( array() ), "Instrument" => array( array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array() ), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array( array() ), "Rsspost" => array() ) $url = "https://test.dinsic.com/en/publications-subject-areas/scores-advanced/card/partitura_de_lloguer-mbs1-la_cuna_version_for_solo_clarinet_and_symphonic_band_mb" $action = "https://www.facebook.com/sharer/sharer.php?u=https://test.dinsic.com/en/publications-subject-areas/scores-advanced/card/partitura_de_lloguer-mbs1-la_cuna_version_for_solo_clarinet_and_symphonic_band_mb&t=Partitura+de+lloguer+La+cuna+%28version+for+solo+clarinet+and+symphonic+band%29+MB&src=sp" $metatag_image_description = "La cuna (version for solo clarinet and symphonic band) MB-Symphonic Band Materials-Scores Advanced" $categories_metatag = array( "Scores Advanced" ) $elem = array( "id" => "142", "nom" => "Music", "published" => "1", "url" => "international", "locale" => "en_gb" ) $colleccion_names = array( "Symphonic Band Materials" ) $selected_image = "4182" $pub = array( "id" => "3132", "model" => "Publicacion", "foreign_id" => "5661", "order" => "1", "file_id" => "4251", "archivestypes_id" => "3" ) $urlimage = "http://www.dinsic.com/img/cache/4a95817b99c3e6f92b43cd3945bffb5d-4182-151.jpg" $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/4a95817b99c3e6f92b43cd3945bffb5d-4182-151.jpg" $imgsize = array( 151, 213, 2, "width="151" height="213"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $imgprinted = false $selected_mp3s = array() $selected_pdf = "4251" $valid_example = true $i = 1 $k = 0 $elem2 = array( "id" => "2174", "nom" => "Joan-Lluís", "cognom" => "Moraleda", "2cognom" => "Perxachs", "curriculum" => "Joan Lluís Moraleda i Perxachs (1943) is very representative for his generation within the musical life of Barcelona. 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Contents
La cuna (The Cradle): version for solo clarinet and symphonic band. Band materials.
“La cuna” is a small scale work, supposedly written in the author’s youth. In fact, it is but a “Concert solo for soloist Clarinet”, in the style of the French salon music of the time.
The main source to reconstruct this piece has been a collection of individual instrumental part, without an original score, coming from the music legacy of Juli Garrega, now entrusted to the collection of the Orfeó Català de Barcelona, in the Palau de la Música Catalana. They were compiled by Abili Fort. Once the parts had been reconstructed into a general score, it could be easily inferred that this was a theme with variations, preceded by a short initial prelude.
All the parts bear the title “Dance for Clarinet”, but curiously enough nowhere have we found the slightest indication of metronomic indication or playing speed.
It was deemed appropriate to maintain the original notation, written for Clarinet in C and offer it now just as it was, without any change or amendment - other than an odd articulation - for the Clarinet in B flat. The original repetition signs have been maintained in every single variation, its observation left to the soloist’s discretion.
Originally, the five variations were presented non-stop. However, it was deemed appropriate to offer the soloist a short rest before attempting the 4th and 5th. For this reason, we have taken the liberty of including a partial reprise of of the initial prelude - now transposed - in the fashion of an “Intermezzo”, to let the Soloist stop for a breath.
The main source to reconstruct this piece has been a collection of individual instrumental part, without an original score, coming from the music legacy of Juli Garrega, now entrusted to the collection of the Orfeó Català de Barcelona, in the Palau de la Música Catalana. They were compiled by Abili Fort. Once the parts had been reconstructed into a general score, it could be easily inferred that this was a theme with variations, preceded by a short initial prelude.
All the parts bear the title “Dance for Clarinet”, but curiously enough nowhere have we found the slightest indication of metronomic indication or playing speed.
It was deemed appropriate to maintain the original notation, written for Clarinet in C and offer it now just as it was, without any change or amendment - other than an odd articulation - for the Clarinet in B flat. The original repetition signs have been maintained in every single variation, its observation left to the soloist’s discretion.
Originally, the five variations were presented non-stop. However, it was deemed appropriate to offer the soloist a short rest before attempting the 4th and 5th. For this reason, we have taken the liberty of including a partial reprise of of the initial prelude - now transposed - in the fashion of an “Intermezzo”, to let the Soloist stop for a breath.
Instrumental and vocal formations
Symphonic BandInstruments
Euphonium II, Baritone saxophone, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, 1 Bass Clarinet, Bassoon, Oboe, Flute, Double Bass, 2 Trumpet in B flat, Solo B flat Clarinet, Clarinet in B flat I, Clarinet in B flat II, Clarinet in B flat III, Euphonium I, 2 Horn in FTechnical Specifications
Duration
15'
Binding
Spiral-bound full score
Number of Pages
209
Number of Pages
57
Number of parts
19
Number of Pages of Parts
152
ISMN
979-0-69210-685-2
Editor
DINSIC Publicacions Musicals