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Havaneres, volums IV, V i VI
Inside Pages
Author/Composer
Field
Music Schools and Conservatoires Advanced Level
Music Schools and Conservatoires Intermediate Level
Scores Advanced
Scores Intermediate
Collection
Col·lecció Havaneres - Leonora Milà (paper copy) Nr. 2
Language
Spanish, Catalan, Music, English
Format
Score
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Code | Context
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Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu. Leonora Milà Pianist and composer", "keywords" => "Havaneres, volums IV, V i VI, 979-0-69210-858-0, Havaneres, volums IV, V i VI, Col·lecció Havaneres - Leonora Milà (paper copy), Col·lecció Havaneres - Leonora Milà (paper copy), Cellos, Piano, Leonora Milà Romeu", "img_src" => "test.dinsic.com/img/cache/cf8eae3bab83a33333785b4bdc303de1-5175-151.jpg", "relacionats" => array( array() ), "publicacion" => array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ) ) $loadHelpers = true $cached = false $loadedHelpers = array( "Html" => HtmlHelper HtmlHelper::$tags = array HtmlHelper::$base = "" HtmlHelper::$here = 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Musicals, SL was found in 1988 by Francesca Galofré Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br /> <br /> Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br /> <br /> Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br /> <br /> We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br /> <br /> We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br /> <br /> At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br /> <br /> Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br /> <br /> We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div> ", "url" => "what_we_do", "published" => "1", "lft" => "71", "rght" => "72", "locale" => "en_gb" ) ) $listcolleccions = array( array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ) ) $listformacions = array( array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ) ) $listinstruments = array( array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ) ) $paypal = array( "Page" => array( "id" => "42", "order" => "9", "parent_id" => null, "name" => "More ways to pay: PayPal", "html" => "<div> DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br /> <br /> For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - national payments.<br /> <br /> As in payments with credit cards, which are completely safe, the seller doesn’t have any access to your banc details.<br /> <br /> Link your credit or debit card to PayPal and decide with them your preferred payment method.</div> ", "url" => "more_ways_to_pay_paypal", "published" => "1", "lft" => "73", "rght" => "74", "locale" => "en_gb" ) ) $perfils_lateral = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $cloud = " <a href="/searches/index/q:Da Camera 22: Tres danses americanes per a quartet de corda" class="word size1">Da Camera 22: Tres danses americanes per a quartet de corda</a> <a href="/searches/index/q:Catala" class="word size6">Catala</a> <a href="/searches/index/q:els músics més petits" class="word size3">els músics més petits</a> <a href="/searches/index/q:orquestra i cada instrument" class="word size8">orquestra i cada instrument</a> <a href="/searches/index/q:soliloquis" class="word size5">soliloquis</a> <a href="/searches/index/q:cançó" class="word size6">cançó</a> <a href="/searches/index/q:abesten" class="word size9">abesten</a> <a href="/searches/index/q:abesten 4" class="word size8">abesten 4</a> <a href="/searches/index/q:Musica" class="word size7">Musica</a> <a href="/searches/index/q:acompañamiento de canciones infantiles" class="word size4">acompañamiento de canciones infantiles</a> <a href="/searches/index/q:musica 2" class="word size1">musica 2</a> <a href="/searches/index/q:Da Camera 22" class="word size5">Da Camera 22</a> <a href="/searches/index/q:Palau insòlit" class="word size3">Palau insòlit</a> <a href="/searches/index/q:Sonatina de Nadal" class="word size3">Sonatina de Nadal</a> <a href="/searches/index/q:passeport" class="word size4">passeport</a> <a href="/searches/index/q:somnis" class="word size7">somnis</a> <a href="/searches/index/q:Literatura e interpretación de la trompeta" class="word size8">Literatura e interpretación de la trompeta</a> <a href="/searches/index/q:tot ho podem expressar" class="word size7">tot ho podem expressar</a> <a href="/searches/index/q:cançoner" class="word size6">cançoner</a> <a href="/searches/index/q:cantata nadalenca nit de vetlla" class="word size2">cantata nadalenca nit de vetlla</a> <a href="/searches/index/q:piano" class="word size8">piano</a> <a href="/searches/index/q:partitura" class="word size8">partitura</a> <a href="/searches/index/q:flauta" class="word size1">flauta</a> <a href="/searches/index/q:nadal" class="word size2">nadal</a> <a href="/searches/index/q:Quartet de corda núm. 3" class="word size9">Quartet de corda núm. 3</a> <a href="/searches/index/q:El timbaler del Bruc" class="word size3">El timbaler del Bruc</a> <a href="/searches/index/q:corda" class="word size1">corda</a> <a href="/searches/index/q:Carnestoltes" class="word size3">Carnestoltes</a> <a href="/searches/index/q:abesten 2" class="word size9">abesten 2</a> <a href="/searches/index/q:abesten 3" class="word size2">abesten 3</a> " $descompte = 0 $options_third_level = array( "All types", "orchestral_music" => "Orchestral music", "vocal_and_choral_music" => "Vocal and Choral Music", "instrumental_music" => "Instrumental Music" ) $options_instruments_level = array( "All Instruments", "brass" => "Brass", "clarinets_and_saxes" => "Clarinets and Saxes", "double_reed" => "Double Reed ", "electronic_keyboard" => "Electronic Keyboard", "flutes_recorders_and_pipes" => "Flutes, recorders and pipes", "guitares" => "Guitares", "harp_lyre_electric_bass_etc" => "Harp, Lyre, Electric Bass, etc.", "key_hammered_string_piano" => "Key / Hammered String (Piano)", "key_plucked_string_harpsichord" => "Key / Plucked String (Harpsichord). 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Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu. Leonora Milà Pianist and composer" $keywords = "Havaneres, volums IV, V i VI, 979-0-69210-858-0, Havaneres, volums IV, V i VI, Col·lecció Havaneres - Leonora Milà (paper copy), Col·lecció Havaneres - Leonora Milà (paper copy), Cellos, Piano, Leonora Milà Romeu" $img_src = "test.dinsic.com/img/cache/cf8eae3bab83a33333785b4bdc303de1-5175-151.jpg" $relacionats = array( array( array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array(), array() ) ) $publicacion = array( "Publicacion" => array( "id" => "11707", "oferta" => "0", "exhaurit" => "0", "material_descarga" => "0", "titol_descarga" => "", "num_pags" => "33", "ismn" => "979-0-69210-858-0", "isbn" => "", "diposit_legal" => "B-17794-2014", "preu" => "17.31", "durada" => "", "format" => "Partitura", "n_pag_annex" => null, "num_pagines_interiors" => null, "numero_particelas" => null, "numero_pagines_particelas" => null, "visible_instrumentacio" => "1", "visible_formacions" => "0", "novetat" => "0", "recomanat" => "0", "en_preparacio" => "0", "visto" => "3733", "rating" => "0.0", "locale" => "en_gb", "titol" => "Havaneres, volums IV, V i VI", "url" => "score-chlm2-havaneres_volums_iv_v_i_vi", "published" => "1", "continguts_generals" => "<div> The Habanera: from popular song to classical music<br /> The habaneras for piano I wrote at the beginning of the nineties are a felt and volitional homage to my hometown, Vilanova i la Geltrú. Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.<br /> Leonora Milà<br /> Pianist and composer</div> ", "estructuracio" => "", "ctecnica" => "", "ilustracion" => "", "info_descarga" => "" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array() ), "Category" => array( array(), array(), array(), array() ), "Colleccion" => array( array() ), "Editor" => array( array(), array() ), "Enquadernacion" => array( array() ), "Formacion" => array(), "Idioma" => array( array(), array(), array(), array() ), "Instrument" => array( array(), array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array( array(), array() ), "Rsspost" => array() ) $url = "https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/score-chlm2-havaneres_volums_iv_v_i_vi" $action = "https://www.facebook.com/sharer/sharer.php?u=https://test.dinsic.com/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/score-chlm2-havaneres_volums_iv_v_i_vi&t=Partitura+Havaneres%2C+volums+IV%2C+V+i+VI&src=sp" $metatag_image_description = "Havaneres, volums IV, V i VI-Col·lecció Havaneres - Leonora Milà (paper copy)-Music Schools and Conservatoires Advanced Level-Music Schools and Conservatoires Intermediate Level-Scores Advanced-Scores Intermediate" $categories_metatag = array( "Music Schools and Conservatoires Advanced Level", "Music Schools and Conservatoires Intermediate Level", "Scores Advanced", "Scores Intermediate" ) $elem = array( "id" => "1724", "nom" => "English", "published" => "1", "url" => "english", "locale" => "en_gb" ) $colleccion_names = array( "Col·lecció Havaneres - Leonora Milà (paper copy)" ) $selected_image = "5175" $pub = array( "id" => "3882", "model" => "Publicacion", "foreign_id" => "11707", "order" => "2", "file_id" => "5177", "archivestypes_id" => "11" ) $urlimage = "http://www.dinsic.com/img/cache/cf8eae3bab83a33333785b4bdc303de1-5175-151.jpg" $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/cf8eae3bab83a33333785b4bdc303de1-5175-151.jpg" $imgsize = array( 151, 211, 2, "width="151" height="211"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $imgprinted = false $selected_mp3s = array() $selected_pdf = "5176" $valid_example = true $i = 4 $k = 0 $elem2 = array( "id" => "5616", "nom" => "Leonora", "cognom" => "Milà", "2cognom" => "Romeu", "curriculum" => "<div> La pianista i compositora Leonora Milà va néixer a Vilanova i la Geltrú (Barcelona, 1942) en una família amb forts vincles en el món de la música, ja que el seu pare, Josep Milà, va ser un destacat violoncel•lista de l’Orquestra Pau Casals i, també, de l’Orquestra del Gran Teatre del Liceu de Barcelona. Deixebla de la pedagoga Maria Canals, Leonora Milà rep el qualificatiu de “nena prodigi” gràcies als dos concerts que el 1949 ofereix al Palau de la Música Catalana interpretant, amb només sis anys, obra pròpia i el concert per a piano i orquestra KV 488 de W. A. Mozart acompanyada per l’Orquestra Ciutat de Barcelona.<br /> La carrera internacional de l’artista catalana s’inicia als dotze anys quan actua en un programa de la BBC de Londres interpretant peces per a piano d’Enric Granados i Manuel de Falla. Aquesta actuació li obre les portes de la capital britànica on hi torna un any més tard, el 1955, per actuar al Royal Albert Hall interpretant l’obra Noches en los jardines de España, del compositor Manuel de Falla, amb la London Philharmonic Orchestra i sota la batuta de Rudolph Dunbar.<br /> Guanyadora del Concurs Internacional d’Execució Musical Maria Canals (Barcelona) de 1966 i finalista del Concorso Internazionale di Musica G. B. 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Contents
The Habanera: from popular song to classical music
The habaneras for piano I wrote at the beginning of the nineties are a felt and volitional homage to my hometown, Vilanova i la Geltrú. Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.
Leonora Milà
Pianist and composer
The habaneras for piano I wrote at the beginning of the nineties are a felt and volitional homage to my hometown, Vilanova i la Geltrú. Popularly known as the “Havana Xica” [“Little Havana”], Vilanova was a place of “indianos”, families that came back from Cuba after having become rich and who invested their wealth in building hospitals, schools and railway connections to Barcelona. Everything in Vilanova oozes West Indian flair: the architecture, the carnival shawl dances, which were directly imported from the lounges of the Havana seigniorial houses, entities like the Foment and a particular way of understanding life: a mixture of irony, kindheartedness and nostalgia of a lost paradise. The music, and especially the habaneras, came with the troops which, as Xavier Garcia wrote, “at their return in 1898, defeated and cornered, not only brought misery and failure, but also a piece of Cuban soul, which was reflected in their song, to which that people had given life to as a very intimate expression of their cultural singularity”. Almost one century later, I wanted to pay a homage to this Vilanova of Cuban influences, to the “indianos”, the soldiers that “defeated, brought home a piece of Cuban soul” and as well to my father, Josep Milà, who had the opportunity to get to know this social and musical reality on his trips to Cuba, during his youth as a musician on board of ocean liners, before becoming a cellist of the Pau Casals Orchestra and, subsequently, of the Gran Teatre del Liceu.
Leonora Milà
Pianist and composer
Technical Specifications
Measurements
21 x 29,7 cm, vertical
Binding
Adhesive binding
Number of Pages
33
ISMN
979-0-69210-858-0
Editor
DINSIC Publicacions Musicals, El Far Blau
Related Publications
Score
