Works by
Narcís Bonet
He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.
His extensive musical career has been defined in multiple facets:
Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris.
Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).
The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests.
Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).
He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions).
He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi.
2018-03-13 11:30:00
Le Cimetière Marin
Format:Rental Materials
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Code | Context
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His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.<br /> <br/> His extensive musical career has been defined in multiple facets:<br /> <br/> Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris.<br /> <br/> Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).<br /> <br/> The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests.<br /> <br/> Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br /> <br/> He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions).<br /> <br/> He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi.</div> <br/><div> <br/> <a href="http://www.narcisbonet.org">For more information clic here</a></div> <br/>", "is_autor" => true, "img_section" => array( "id" => "6", "model" => "Autor", "foreign_id" => "1573", "order" => "0", "file_id" => "6", "archivestypes_id" => "1" ), "breadcrumb" => array( array(), array() ), "letterVector" => array( "0_9" => 3, "A" => 3, "B" => 2, "C" => 2, "D" => 6, "E" => 130, "H" => 7, "I" => 8, "L" => 12, "M" => 6, "P" => 4, "Q" => 2, "S" => 2, "T" => 12 ), "letter_selected" => "", "lastlink" => 30, "list" => array( array(), array(), array(), array(), array(), array(), array() ), "other_functions" => array( "Other collaborator", "2-3 Voices", "Accompaniments", "Musical Arrangement" ), "title_section" => "Works by<br/>Narcís Bonet ", "description" => "Works byNarcís Bonet He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch. His extensive musical career has been defined in multiple facets: Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris. Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.). The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests. Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction). He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions). He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi. For more information clic here", "keywords" => "2-3 Voices 1, 2-3 Voices 2, 2-3 Voices 3, I. A collection of given basses and melodies, I. Recueil de basses et chants donnés, I. Recull de baixos i cants donats, I. Colección de bajos y cantos dados, Tractat de Solfeig: els elements essencials de la música, Tractat de solfeig: exercicis 1, Tractat de solfeig: exercicis 2, Les éléments essentiels de la musique, Els principis Fonamentals de l'Harmonia, Les principes fondamentaux de l'harmonie, Los principios fundamentales de la armonía, The Fundamental Principles of Harmony, II. A collection of figured bass lines, II. Recueil de basses chiffrées, II. Recull de baixos xifrats, II. Recopilación de bajos cifrados, Da Camera 2, Da Camera 3, Faraway Dances, Ho sap tothom i és profecia (MO), Ho sap tothom i és profecia (PB), Diades d'amor, Ten catalan folk songs, Ho sap tothom i és profecia (Vocal score), Faraway Dances, Ho sap tothom i és profecia (Vocal score), La Tramuntana, Ten catalan folk songs, Preludi i dansa, Three preludes in homage to Chopin, Three preludes in homage to Chopin, He mirat aquesta terra (I looked upon this land), Tríptic de Sinera (PB), Ho sap tothom i és profecia (versió completa) (MO), Ho sap tothom i és profecia (versió completa) (PB), Tríptic de Sinera (MO), Miserere, La pell de brau, per a conjunt instrumental i recitador, La pell de brau, Miserere (MO), El pobre alegre (deu cançons populars catalanes), Cançó de bressol de la Verge, La balada del bes, Paràfrasi sobre "Liebesträume" de Liszt, Da Camera 2, Da Camera 3, En aquell temps, El pobre alegre, L’Escrivaneta, L’enemic de les dones, Quatre mil anys hi havia, Alabem primerament, El 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tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu 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AjaxHelper::$params = array AjaxHelper::$action = "display" AjaxHelper::$plugin = NULL AjaxHelper::$data = NULL AjaxHelper::$namedArgs = NULL AjaxHelper::$argSeparator = NULL AjaxHelper::$validationErrors = NULL AjaxHelper::$tags = array AjaxHelper::$__tainted = NULL AjaxHelper::$__cleaned = NULL AjaxHelper::$_log = NULL AjaxHelper::$Form = FormHelper object $identify = null $sesionLang = "en" $categories = array( array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ), array( "Category" => array(), "Categories" => array() ) ) $qui_som = array( "Page" => array( "id" => "4", "order" => "36", "parent_id" => null, "name" => "About us", "html" => "<div> Located in the very heart of the old town of Barcelona, DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofré Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br /> <br /> Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br /> <br /> Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br /> <br /> We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br /> <br /> We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br /> <br /> At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br /> <br /> Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br /> <br /> We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div> ", "url" => "what_we_do", "published" => "1", "lft" => "71", "rght" => "72", "locale" => "en_gb" ) ) $listcolleccions = array( array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ) ) $listformacions = array( array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ) ) $listinstruments = array( array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ) ) $paypal = array( "Page" => array( "id" => "42", "order" => "9", "parent_id" => null, "name" => "More ways to pay: PayPal", "html" => "<div> DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br /> <br /> For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - national payments.<br /> <br /> As in payments with credit cards, which are completely safe, the seller doesn’t have any access to your banc details.<br /> <br /> Link your credit or debit card to PayPal and decide with them your preferred payment method.</div> ", "url" => "more_ways_to_pay_paypal", "published" => "1", "lft" => "73", "rght" => "74", "locale" => "en_gb" ) ) $perfils_lateral = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $cloud = " <a href="/searches/index/q:abesten" class="word size2">abesten</a> <a href="/searches/index/q:tot ho podem expressar" class="word size7">tot ho podem expressar</a> <a href="/searches/index/q:abesten 2" class="word size2">abesten 2</a> <a href="/searches/index/q:musica 2" class="word size9">musica 2</a> <a href="/searches/index/q:orquestra i cada instrument" class="word size6">orquestra i cada instrument</a> <a href="/searches/index/q:soliloquis" class="word size7">soliloquis</a> <a href="/searches/index/q:Sonatina de Nadal" class="word size7">Sonatina de Nadal</a> <a href="/searches/index/q:Da Camera 22: Tres danses americanes per a quartet de corda" class="word size5">Da Camera 22: Tres danses americanes per a quartet de corda</a> <a href="/searches/index/q:abesten 4" class="word size2">abesten 4</a> <a href="/searches/index/q:flauta" class="word size3">flauta</a> <a href="/searches/index/q:cantata nadalenca nit de vetlla" class="word size1">cantata nadalenca nit de vetlla</a> <a href="/searches/index/q:Musica" class="word size2">Musica</a> <a href="/searches/index/q:Da Camera 22" class="word size5">Da Camera 22</a> <a href="/searches/index/q:passeport" class="word size8">passeport</a> <a href="/searches/index/q:somnis" class="word size2">somnis</a> <a href="/searches/index/q:Catala" class="word size5">Catala</a> <a href="/searches/index/q:acompañamiento de canciones infantiles" class="word size7">acompañamiento de canciones infantiles</a> <a href="/searches/index/q:cançoner" class="word size9">cançoner</a> <a href="/searches/index/q:El timbaler del Bruc" class="word size5">El timbaler del Bruc</a> <a href="/searches/index/q:els músics més petits" class="word size9">els músics més petits</a> <a href="/searches/index/q:abesten 3" class="word size5">abesten 3</a> <a href="/searches/index/q:partitura" class="word size3">partitura</a> <a href="/searches/index/q:Quartet de corda núm. 3" class="word size9">Quartet de corda núm. 3</a> <a href="/searches/index/q:Literatura e interpretación de la trompeta" class="word size9">Literatura e interpretación de la trompeta</a> <a href="/searches/index/q:nadal" class="word size9">nadal</a> <a href="/searches/index/q:Carnestoltes" class="word size2">Carnestoltes</a> <a href="/searches/index/q:cançó" class="word size1">cançó</a> <a href="/searches/index/q:corda" class="word size3">corda</a> <a href="/searches/index/q:Palau insòlit" class="word size2">Palau insòlit</a> <a href="/searches/index/q:piano" class="word size9">piano</a> " $descompte = 0.05 $options_third_level = array( "All types", "orchestral_music" => "Orchestral music", "vocal_and_choral_music" => "Vocal and Choral Music", "instrumental_music" => "Instrumental Music" ) $options_instruments_level = array( "All Instruments", "brass" => "Brass", "clarinets_and_saxes" => "Clarinets and Saxes", "double_reed" => "Double Reed ", "electronic_keyboard" => "Electronic Keyboard", "flutes_recorders_and_pipes" => "Flutes, recorders and pipes", "guitares" => "Guitares", "harp_lyre_electric_bass_etc" => "Harp, Lyre, Electric Bass, etc.", "key_hammered_string_piano" => "Key / Hammered String (Piano)", "key_plucked_string_harpsichord" => "Key / Plucked String (Harpsichord). ", "key_wheel_bowed_string_hurdy_gurdy" => "Key / Wheel-bowed String (Hurdy-gurdy)", "key_wind" => "Key / Wind", "orff_percussion" => "Orff Percussion", "pitched_percussion" => "Pitched Percussion", "stringed_instruments" => "Stringed Instruments", "stringed_instruments_violins" => "Stringed Instruments: Violins", "ukulele" => "Ukulele", "un_piched_percussion" => "Un-piched Percussion", "unspecified_percussion" => "Unspecified Percussion", "wind_instruments_to_determine" => "Wind instruments to determine " ) $pages = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $total_basket = 0 $total_basket_count = 0 $admin = false $selected_controller = "autors" $browser = array( "browsertype" => null, "version" => "", "platform" => null, "AOL" => false ) $selectedtab = false $cookies = array( "Page" => array( "locale" => "en_gb", "name" => "Politica de cookies", "url" => "politica_de_cookies" ) ) $aviso_cookie = true $vectorUrls = array( "ca_es" => "autor/narcis_bonet", "es_es" => "autor/narcis_bonet", "en_gb" => "autor/narcis_bonet" ) $letter_action_url = "/en/autor/narcis_bonet" $text_section = "<div> <br/> He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.<br /> <br/> His extensive musical career has been defined in multiple facets:<br /> <br/> Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris.<br /> <br/> Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).<br /> <br/> The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests.<br /> <br/> Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br /> <br/> He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions).<br /> <br/> He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi.</div> <br/><div> <br/> <a href="http://www.narcisbonet.org">For more information clic here</a></div> <br/>" $is_autor = true $img_section = array( "id" => "6", "model" => "Autor", "foreign_id" => "1573", "order" => "0", "file_id" => "6", "archivestypes_id" => "1" ) $breadcrumb = array( array( "url" => "/en/autors", "text" => "Authors" ), array( "url" => "/en/autor/narcis_bonet", "text" => "Narcís Bonet " ) ) $letterVector = array( "0_9" => 3, "A" => 3, "B" => 2, "C" => 2, "D" => 6, "E" => 130, "H" => 7, "I" => 8, "L" => 12, "M" => 6, "P" => 4, "Q" => 2, "S" => 2, "T" => 12 ) $letter_selected = "" $lastlink = 30 $list = array( array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ) ) $other_functions = array( "Other collaborator", "2-3 Voices", "Accompaniments", "Musical Arrangement" ) $title_section = "Works by<br/>Narcís Bonet " $description = "Works byNarcís Bonet He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch. His extensive musical career has been defined in multiple facets: Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris. Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.). The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests. Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction). He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions). He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi. For more information clic here" $keywords = "2-3 Voices 1, 2-3 Voices 2, 2-3 Voices 3, I. A collection of given basses and melodies, I. Recueil de basses et chants donnés, I. Recull de baixos i cants donats, I. Colección de bajos y cantos dados, Tractat de Solfeig: els elements essencials de la música, Tractat de solfeig: exercicis 1, Tractat de solfeig: exercicis 2, Les éléments essentiels de la musique, Els principis Fonamentals de l'Harmonia, Les principes fondamentaux de l'harmonie, Los principios fundamentales de la armonía, The Fundamental Principles of Harmony, II. A collection of figured bass lines, II. Recueil de basses chiffrées, II. Recull de baixos xifrats, II. Recopilación de bajos cifrados, Da Camera 2, Da Camera 3, Faraway Dances, Ho sap tothom i és profecia (MO), Ho sap tothom i és profecia (PB), Diades d'amor, Ten catalan folk songs, Ho sap tothom i és profecia (Vocal score), Faraway Dances, Ho sap tothom i és profecia (Vocal score), La Tramuntana, Ten catalan folk songs, Preludi i dansa, Three preludes in homage to Chopin, Three preludes in homage to Chopin, He mirat aquesta terra (I looked upon this land), Tríptic de Sinera (PB), Ho sap tothom i és profecia (versió completa) (MO), Ho sap tothom i és profecia (versió completa) (PB), Tríptic de Sinera (MO), Miserere, La pell de brau, per a conjunt instrumental i recitador, La pell de brau, Miserere (MO), El pobre alegre (deu cançons populars catalanes), Cançó de bressol de la Verge, La balada del bes, Paràfrasi sobre "Liebesträume" de Liszt, Da Camera 2, Da Camera 3, En aquell temps, El pobre alegre, L’Escrivaneta, L’enemic de les dones, Quatre mil anys hi havia, Alabem primerament, El bon Jesuset, Muntanyes del Canigó, Sa ximbomba, La filadora, Paràfrasi del Cant dels segadors, Tricorde, Paràfrasi del preludi núm. 10 de Chopin, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Cant de joia, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, 979-0-69232-838-4, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Exercici núm. 6 a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu l’he enyorada…, Diades d'amor, Le Cimetière Marin, Le Cimietère Marin PB, Missa in Epiphania Domini, Missa in Epiphania Domini PB" $length = 3259 $urlimage = "http://www.dinsic.com/img/cache/612617961d6731e5cad4ab290224846d-10135-100.jpg" $i = 1 $publicacion = array( "Publicacion" => array( "id" => "12975", "novetat" => "1", "oferta" => "0", "en_preparacio" => "0", "recomanat" => "0", "format" => "Partitura de lloguer", "preu" => "350.00", "created" => "2018-03-13 11:30:00", "exhaurit" => "0", "locale" => "en_gb", "titol" => "Le Cimetière Marin", "url" => "partitura_de_lloguer-mo34-le_cimetiere_marin", "intro" => "", "path" => "music_schools_and_conservatoires-advanced_level" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array(), array() ), "Category" => array( array(), array() ), "Colleccion" => array( array() ), "Editor" => array( array() ), "Enquadernacion" => array( array() ), "Formacion" => array( array() ), "Idioma" => array( array(), array(), array(), array() ), "Instrument" => array( array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array( array() ), "Rsspost" => array() ) $selected_image = "10135" $pub = array( "id" => "8680", "model" => "Publicacion", "foreign_id" => "12975", "order" => "0", "file_id" => "10135", "archivestypes_id" => "2" ) $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/612617961d6731e5cad4ab290224846d-10135-100.jpg" $imgsize = array( 100, 142, 2, "width="100" height="142"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $link = "/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/partitura_de_lloguer-mo34-le_cimetiere_marin" $imgprinted = true $vector = array( "narcis_bonet" => "Narcís Bonet " ) $elem = array( "id" => "5936", "nom" => "Paul", "cognom" => "Valéry", "2cognom" => "", "curriculum" => "", "data_desconeguda" => "0", "data_naixement" => "1871-10-30", "nomes_any_naixement" => "0", "nomes_any_defuncio" => "0", "defuncio" => "1", "data_defuncio" => "1945-07-20", "data_defuncio_desconeguda" => "0", "url" => "paul_valery", "published" => "1", "PublicacionsAutor" => array( "id" => "5217", "autor_id" => "5936", "publicacion_id" => "12975", "funcion_id" => "1500" ) ) $name = "Narcís Bonet " $url = "narcis_bonet"
//si hay instrumentos => mostrar instrumentos
//debug( $publicacion );
if (count($publicacion['Instrument'])>0 && $publicacion['Publicacion']['visible_instrumentacio']){
include - APP/views/categories/display.ctp, line 394 View::_render() - CORE/cake/libs/view/view.php, line 665 View::render() - CORE/cake/libs/view/view.php, line 375 Controller::render() - CORE/cake/libs/controller/controller.php, line 805 AutorsController::display() - APP/controllers/autors_controller.php, line 565 Object::dispatchMethod() - CORE/cake/libs/object.php, line 119 Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225 Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192 [main] - APP/webroot/index.php, line 88
Notice (8): Undefined index: visible_formacions [APP/views/categories/display.ctp, line 406]
Code | Context
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His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.<br /> <br/> His extensive musical career has been defined in multiple facets:<br /> <br/> Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris.<br /> <br/> Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).<br /> <br/> The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests.<br /> <br/> Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br /> <br/> He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions).<br /> <br/> He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi.</div> <br/><div> <br/> <a href="http://www.narcisbonet.org">For more information clic here</a></div> <br/>", "is_autor" => true, "img_section" => array( "id" => "6", "model" => "Autor", "foreign_id" => "1573", "order" => "0", "file_id" => "6", "archivestypes_id" => "1" ), "breadcrumb" => array( array(), array() ), "letterVector" => array( "0_9" => 3, "A" => 3, "B" => 2, "C" => 2, "D" => 6, "E" => 130, "H" => 7, "I" => 8, "L" => 12, "M" => 6, "P" => 4, "Q" => 2, "S" => 2, "T" => 12 ), "letter_selected" => "", "lastlink" => 30, "list" => array( array(), array(), array(), array(), array(), array(), array() ), "other_functions" => array( "Other collaborator", "2-3 Voices", "Accompaniments", "Musical Arrangement" ), "title_section" => "Works by<br/>Narcís Bonet ", "description" => "Works byNarcís Bonet He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch. His extensive musical career has been defined in multiple facets: Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris. Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.). The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests. Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction). He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions). He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi. For more information clic here", "keywords" => "2-3 Voices 1, 2-3 Voices 2, 2-3 Voices 3, I. A collection of given basses and melodies, I. Recueil de basses et chants donnés, I. Recull de baixos i cants donats, I. Colección de bajos y cantos dados, Tractat de Solfeig: els elements essencials de la música, Tractat de solfeig: exercicis 1, Tractat de solfeig: exercicis 2, Les éléments essentiels de la musique, Els principis Fonamentals de l'Harmonia, Les principes fondamentaux de l'harmonie, Los principios fundamentales de la armonía, The Fundamental Principles of Harmony, II. A collection of figured bass lines, II. Recueil de basses chiffrées, II. Recull de baixos xifrats, II. Recopilación de bajos cifrados, Da Camera 2, Da Camera 3, Faraway Dances, Ho sap tothom i és profecia (MO), Ho sap tothom i és profecia (PB), Diades d'amor, Ten catalan folk songs, Ho sap tothom i és profecia (Vocal score), Faraway Dances, Ho sap tothom i és profecia (Vocal score), La Tramuntana, Ten catalan folk songs, Preludi i dansa, Three preludes in homage to Chopin, Three preludes in homage to Chopin, He mirat aquesta terra (I looked upon this land), Tríptic de Sinera (PB), Ho sap tothom i és profecia (versió completa) (MO), Ho sap tothom i és profecia (versió completa) (PB), Tríptic de Sinera (MO), Miserere, La pell de brau, per a conjunt instrumental i recitador, La pell de brau, Miserere (MO), El pobre alegre (deu cançons populars catalanes), Cançó de bressol de la Verge, La balada del bes, Paràfrasi sobre "Liebesträume" de Liszt, Da Camera 2, Da Camera 3, En aquell temps, El pobre alegre, L’Escrivaneta, L’enemic de les dones, Quatre mil anys hi havia, Alabem primerament, El bon Jesuset, Muntanyes del Canigó, Sa ximbomba, La filadora, Paràfrasi del Cant dels segadors, Tricorde, Paràfrasi del preludi núm. 10 de Chopin, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Cant de joia, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, 979-0-69232-838-4, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Exercici núm. 6 a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu 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DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofré Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br /> <br /> Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br /> <br /> Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div> <div> </div> <ul> <li> <a href="/en/p/introduction">Introduction</a></li> <li> <a href="/en/p/aims_of_the_enterprise">Aims of the enterprise</a></li> <li> <a href="/en/p/the_autors">The autors</a></li> <li> <a href="/en/p/cooperations">Cooperations</a></li> <li> <a href="/en/p/commercial_distribution">Commercial distribution</a></li> <li> <a href="/en/p/catalogue_of_releases">Catalogue of releases</a></li> </ul> ", "url" => "about_us", "published" => "1", "lft" => "5", "rght" => "26", "locale" => "en_gb" ) ) $que_fem = array( "Page" => array( "id" => "41", "order" => "8", "parent_id" => null, "name" => "What we do", "html" => "<div> At DINSIC, we basically specialize in writing and publishing books and a wide range of materials for music education. We also edit vocal, instrumental and orchestral scores for choirs, chamber ensembles and orchestras.<br /> <br /> We have a special interest in publishing music works with comments in several languages: Catalan, Spanish, Bask, French Occitan, Portuguese, English, German etc., and books about music and its world.<br /> <br /> We have a department for traditional and popular Catalan and Occitan music, which is soon going to be expanded with music from other regions.<br /> <br /> At our publishing company, we work intensively to make the most of the possibilities of the technological applications that new information and communication technologies offer within our field.<br /> <br /> Our website exhibits our catalogue of releases, which are available in all sorts of mediums (paper, CD etc.), or on-line.<br /> <br /> We have adjoined a virtual store and environment for registered users, who can benefit from additional information and support services.</div> ", "url" => "what_we_do", "published" => "1", "lft" => "71", "rght" => "72", "locale" => "en_gb" ) ) $listcolleccions = array( array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ), array( "Catcolleccion" => array(), "children" => array() ) ) $listformacions = array( array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ), array( "Catformacion" => array(), "children" => array() ) ) $listinstruments = array( array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ), array( "Catinstrument" => array(), "children" => array() ) ) $paypal = array( "Page" => array( "id" => "42", "order" => "9", "parent_id" => null, "name" => "More ways to pay: PayPal", "html" => "<div> DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br /> <br /> For those who don’t know PayPal, this system is one of the most efficient ways to make and receive international and – of course - national payments.<br /> <br /> As in payments with credit cards, which are completely safe, the seller doesn’t have any access to your banc details.<br /> <br /> Link your credit or debit card to PayPal and decide with them your preferred payment method.</div> ", "url" => "more_ways_to_pay_paypal", "published" => "1", "lft" => "73", "rght" => "74", "locale" => "en_gb" ) ) $perfils_lateral = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $cloud = " <a href="/searches/index/q:abesten" class="word size2">abesten</a> <a href="/searches/index/q:tot ho podem expressar" class="word size7">tot ho podem expressar</a> <a href="/searches/index/q:abesten 2" class="word size2">abesten 2</a> <a href="/searches/index/q:musica 2" class="word size9">musica 2</a> <a href="/searches/index/q:orquestra i cada instrument" class="word size6">orquestra i cada instrument</a> <a href="/searches/index/q:soliloquis" class="word size7">soliloquis</a> <a href="/searches/index/q:Sonatina de Nadal" class="word size7">Sonatina de Nadal</a> <a href="/searches/index/q:Da Camera 22: Tres danses americanes per a quartet de corda" class="word size5">Da Camera 22: Tres danses americanes per a quartet de corda</a> <a href="/searches/index/q:abesten 4" class="word size2">abesten 4</a> <a href="/searches/index/q:flauta" class="word size3">flauta</a> <a href="/searches/index/q:cantata nadalenca nit de vetlla" class="word size1">cantata nadalenca nit de vetlla</a> <a href="/searches/index/q:Musica" class="word size2">Musica</a> <a href="/searches/index/q:Da Camera 22" class="word size5">Da Camera 22</a> <a href="/searches/index/q:passeport" class="word size8">passeport</a> <a href="/searches/index/q:somnis" class="word size2">somnis</a> <a href="/searches/index/q:Catala" class="word size5">Catala</a> <a href="/searches/index/q:acompañamiento de canciones infantiles" class="word size7">acompañamiento de canciones infantiles</a> <a href="/searches/index/q:cançoner" class="word size9">cançoner</a> <a href="/searches/index/q:El timbaler del Bruc" class="word size5">El timbaler del Bruc</a> <a href="/searches/index/q:els músics més petits" class="word size9">els músics més petits</a> <a href="/searches/index/q:abesten 3" class="word size5">abesten 3</a> <a href="/searches/index/q:partitura" class="word size3">partitura</a> <a href="/searches/index/q:Quartet de corda núm. 3" class="word size9">Quartet de corda núm. 3</a> <a href="/searches/index/q:Literatura e interpretación de la trompeta" class="word size9">Literatura e interpretación de la trompeta</a> <a href="/searches/index/q:nadal" class="word size9">nadal</a> <a href="/searches/index/q:Carnestoltes" class="word size2">Carnestoltes</a> <a href="/searches/index/q:cançó" class="word size1">cançó</a> <a href="/searches/index/q:corda" class="word size3">corda</a> <a href="/searches/index/q:Palau insòlit" class="word size2">Palau insòlit</a> <a href="/searches/index/q:piano" class="word size9">piano</a> " $descompte = 0.05 $options_third_level = array( "All types", "orchestral_music" => "Orchestral music", "vocal_and_choral_music" => "Vocal and Choral Music", "instrumental_music" => "Instrumental Music" ) $options_instruments_level = array( "All Instruments", "brass" => "Brass", "clarinets_and_saxes" => "Clarinets and Saxes", "double_reed" => "Double Reed ", "electronic_keyboard" => "Electronic Keyboard", "flutes_recorders_and_pipes" => "Flutes, recorders and pipes", "guitares" => "Guitares", "harp_lyre_electric_bass_etc" => "Harp, Lyre, Electric Bass, etc.", "key_hammered_string_piano" => "Key / Hammered String (Piano)", "key_plucked_string_harpsichord" => "Key / Plucked String (Harpsichord). ", "key_wheel_bowed_string_hurdy_gurdy" => "Key / Wheel-bowed String (Hurdy-gurdy)", "key_wind" => "Key / Wind", "orff_percussion" => "Orff Percussion", "pitched_percussion" => "Pitched Percussion", "stringed_instruments" => "Stringed Instruments", "stringed_instruments_violins" => "Stringed Instruments: Violins", "ukulele" => "Ukulele", "un_piched_percussion" => "Un-piched Percussion", "unspecified_percussion" => "Unspecified Percussion", "wind_instruments_to_determine" => "Wind instruments to determine " ) $pages = array( array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ), array( "Page" => array() ) ) $total_basket = 0 $total_basket_count = 0 $admin = false $selected_controller = "autors" $browser = array( "browsertype" => null, "version" => "", "platform" => null, "AOL" => false ) $selectedtab = false $cookies = array( "Page" => array( "locale" => "en_gb", "name" => "Politica de cookies", "url" => "politica_de_cookies" ) ) $aviso_cookie = true $vectorUrls = array( "ca_es" => "autor/narcis_bonet", "es_es" => "autor/narcis_bonet", "en_gb" => "autor/narcis_bonet" ) $letter_action_url = "/en/autor/narcis_bonet" $text_section = "<div> <br/> He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.<br /> <br/> His extensive musical career has been defined in multiple facets:<br /> <br/> Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris.<br /> <br/> Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).<br /> <br/> The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests.<br /> <br/> Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br /> <br/> He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions).<br /> <br/> He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi.</div> <br/><div> <br/> <a href="http://www.narcisbonet.org">For more information clic here</a></div> <br/>" $is_autor = true $img_section = array( "id" => "6", "model" => "Autor", "foreign_id" => "1573", "order" => "0", "file_id" => "6", "archivestypes_id" => "1" ) $breadcrumb = array( array( "url" => "/en/autors", "text" => "Authors" ), array( "url" => "/en/autor/narcis_bonet", "text" => "Narcís Bonet " ) ) $letterVector = array( "0_9" => 3, "A" => 3, "B" => 2, "C" => 2, "D" => 6, "E" => 130, "H" => 7, "I" => 8, "L" => 12, "M" => 6, "P" => 4, "Q" => 2, "S" => 2, "T" => 12 ) $letter_selected = "" $lastlink = 30 $list = array( array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ), array( "Publicacion" => array(), "Archivesrelation" => array(), "Rating" => array(), "Comment" => array(), "Autor" => array(), "Category" => array(), "Colleccion" => array(), "Editor" => array(), "Enquadernacion" => array(), "Formacion" => array(), "Idioma" => array(), "Instrument" => array(), "Mida" => array(), "Retractilat" => array(), "Newsletter" => array(), "Rsspost" => array() ) ) $other_functions = array( "Other collaborator", "2-3 Voices", "Accompaniments", "Musical Arrangement" ) $title_section = "Works by<br/>Narcís Bonet " $description = "Works byNarcís Bonet He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch. His extensive musical career has been defined in multiple facets: Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris. Narcís Bonet has been awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and has received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.). The positions he has held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests. Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction). He is author of a Tractat de Solfeig (Solmization Treatise) and has collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions). He is currently a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practices his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the Catalan Government has recently awarded him the Creu de Sant Jordi. For more information clic here" $keywords = "2-3 Voices 1, 2-3 Voices 2, 2-3 Voices 3, I. A collection of given basses and melodies, I. Recueil de basses et chants donnés, I. Recull de baixos i cants donats, I. Colección de bajos y cantos dados, Tractat de Solfeig: els elements essencials de la música, Tractat de solfeig: exercicis 1, Tractat de solfeig: exercicis 2, Les éléments essentiels de la musique, Els principis Fonamentals de l'Harmonia, Les principes fondamentaux de l'harmonie, Los principios fundamentales de la armonía, The Fundamental Principles of Harmony, II. A collection of figured bass lines, II. Recueil de basses chiffrées, II. Recull de baixos xifrats, II. Recopilación de bajos cifrados, Da Camera 2, Da Camera 3, Faraway Dances, Ho sap tothom i és profecia (MO), Ho sap tothom i és profecia (PB), Diades d'amor, Ten catalan folk songs, Ho sap tothom i és profecia (Vocal score), Faraway Dances, Ho sap tothom i és profecia (Vocal score), La Tramuntana, Ten catalan folk songs, Preludi i dansa, Three preludes in homage to Chopin, Three preludes in homage to Chopin, He mirat aquesta terra (I looked upon this land), Tríptic de Sinera (PB), Ho sap tothom i és profecia (versió completa) (MO), Ho sap tothom i és profecia (versió completa) (PB), Tríptic de Sinera (MO), Miserere, La pell de brau, per a conjunt instrumental i recitador, La pell de brau, Miserere (MO), El pobre alegre (deu cançons populars catalanes), Cançó de bressol de la Verge, La balada del bes, Paràfrasi sobre "Liebesträume" de Liszt, Da Camera 2, Da Camera 3, En aquell temps, El pobre alegre, L’Escrivaneta, L’enemic de les dones, Quatre mil anys hi havia, Alabem primerament, El bon Jesuset, Muntanyes del Canigó, Sa ximbomba, La filadora, Paràfrasi del Cant dels segadors, Tricorde, Paràfrasi del preludi núm. 10 de Chopin, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Cant de joia, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, 979-0-69232-838-4, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Exercici núm. 6 a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu l’he enyorada…, Diades d'amor, Le Cimetière Marin, Le Cimietère Marin PB, Missa in Epiphania Domini, Missa in Epiphania Domini PB" $length = 3259 $urlimage = "http://www.dinsic.com/img/cache/612617961d6731e5cad4ab290224846d-10135-100.jpg" $i = 1 $publicacion = array( "Publicacion" => array( "id" => "12975", "novetat" => "1", "oferta" => "0", "en_preparacio" => "0", "recomanat" => "0", "format" => "Partitura de lloguer", "preu" => "350.00", "created" => "2018-03-13 11:30:00", "exhaurit" => "0", "locale" => "en_gb", "titol" => "Le Cimetière Marin", "url" => "partitura_de_lloguer-mo34-le_cimetiere_marin", "intro" => "", "path" => "music_schools_and_conservatoires-advanced_level" ), "Archivesrelation" => array( array(), array(), array() ), "Rating" => array(), "Comment" => array(), "Autor" => array( array(), array() ), "Category" => array( array(), array() ), "Colleccion" => array( array() ), "Editor" => array( array() ), "Enquadernacion" => array( array() ), "Formacion" => array( array() ), "Idioma" => array( array(), array(), array(), array() ), "Instrument" => array( array() ), "Mida" => array( array() ), "Retractilat" => array(), "Newsletter" => array( array() ), "Rsspost" => array() ) $selected_image = "10135" $pub = array( "id" => "8680", "model" => "Publicacion", "foreign_id" => "12975", "order" => "0", "file_id" => "10135", "archivestypes_id" => "2" ) $urlimagesize = "/var/www/dinsic/root/app/webroot/img/cache/612617961d6731e5cad4ab290224846d-10135-100.jpg" $imgsize = array( 100, 142, 2, "width="100" height="142"", "bits" => 8, "channels" => 3, "mime" => "image/jpeg" ) $link = "/en/publications-subject-areas/music_schools_and_conservatoires-advanced_level/card/partitura_de_lloguer-mo34-le_cimetiere_marin" $imgprinted = true $vector = array( "narcis_bonet" => "Narcís Bonet " ) $elem = array( "id" => "5936", "nom" => "Paul", "cognom" => "Valéry", "2cognom" => "", "curriculum" => "", "data_desconeguda" => "0", "data_naixement" => "1871-10-30", "nomes_any_naixement" => "0", "nomes_any_defuncio" => "0", "defuncio" => "1", "data_defuncio" => "1945-07-20", "data_defuncio_desconeguda" => "0", "url" => "paul_valery", "published" => "1", "PublicacionsAutor" => array( "id" => "5217", "autor_id" => "5936", "publicacion_id" => "12975", "funcion_id" => "1500" ) ) $name = "Narcís Bonet " $url = "narcis_bonet"
}else{
// sino miramos las formaciones => mostrar formaciones
if (count($publicacion['Formacion'])>0 && $publicacion['Publicacion']['visible_formacions']){
include - APP/views/categories/display.ctp, line 406 View::_render() - CORE/cake/libs/view/view.php, line 665 View::render() - CORE/cake/libs/view/view.php, line 375 Controller::render() - CORE/cake/libs/controller/controller.php, line 805 AutorsController::display() - APP/controllers/autors_controller.php, line 565 Object::dispatchMethod() - CORE/cake/libs/object.php, line 119 Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225 Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192 [main] - APP/webroot/index.php, line 88
Orchestra Materials Nr. 34
423.50 € VAT included
2018-03-13 11:30:00
Le Cimietère Marin PB
Format:Score
Author: Collection:28.00 € VAT included
2018-03-13 11:30:00
695.75 € VAT included
2018-03-13 11:30:00
Missa in Epiphania Domini PB
Format:Score
Author: Collection:25.00 € VAT included
2018-02-26 15:54:00
PDF
Author: Collection:
Quin dia avui!
Format:3.63 € VAT included
2018-02-26 15:54:00
PDF
Author: Collection:
Tota ella és una flor molt delicada
Format:3.63 € VAT included
2018-02-26 15:54:00
PDF
Author: Collection:
Amb la dolça i tranquil·la criatura
Format:3.63 € VAT included